{"id":4987,"date":"2021-12-01T17:46:39","date_gmt":"2021-12-01T17:46:39","guid":{"rendered":"https:\/\/www.matildemarin.com\/bricolage-contemporaneo-la-recoleccion-nucleo\/"},"modified":"2022-02-22T10:59:34","modified_gmt":"2022-02-22T10:59:34","slug":"bricolage-contemporaneo-la-recoleccion-nucleo-eng","status":"publish","type":"page","link":"https:\/\/www.matildemarin.com\/en\/bricolage-contemporaneo-la-recoleccion-nucleo-eng\/","title":{"rendered":"Contemporary Bricolage \/ Recollection"},"content":{"rendered":"<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div class=\"promo_box\" style=\"background-color:#d9d2dd;\"><a href=\"#obra-bc-la-recoleccion\">Works<\/a> | <a href=\"#publicaciones-bc-la-recoleccion\">Publications<\/a> | <a href=\"#exposiciones-bc-la-recoleccion\">Exhibitions<\/a> | <a href=\"#video-bc-la-recoleccion\">Video<\/a> | <a href=\"#textos-bc-la-recoleccion\">Texts<\/a> | <a href=\"#extra-bc-la-recoleccion\">Additional<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: center;\">Cardboards and papers, twine string, branches, stones, packaging tapes, bags, food, soap bubbles and even lines in space, are summoned by Matilde Mar\u00edn in these series of photo performances.<br \/>\nThe artist&#8217;s hands, the common denominator of all images, protect the inclusion of objects and activate them factually and semantically.<\/h4>\n<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div id=\"1645527574386379106\" data-gallery-id=\"4988\" data-items=\"0\" data-columns=\"4\" data-gutter=\"0\" data-type=\"masonry\" data-layout=\"wide\" class=\"portfolio_filter_wrapper masonry infinite_grid portfolio-content content gallery four_cols wide\" data-columns=\"4\">\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated1\"><a data-rel=\"photography_gallery_4988\" data-title=\"The dream, monochrome analog photograph, 60 x 80 cm. \/ 90 x 120 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/01_El-suen\u0303o_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/01_El-suen\u0303o_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/01_El-suen\u0303o_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated2\"><a data-rel=\"photography_gallery_4988\" data-title=\"Harvesting II, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/06_Recolectando-II_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/06_Recolectando-II_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/06_Recolectando-II_Bricolage-Contemporaneo_Matilde-Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated3\"><a data-rel=\"photography_gallery_4988\" data-title=\"Paper harvest, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/02_Cosecha-de-papeles_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/02_Cosecha-de-papeles_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/02_Cosecha-de-papeles_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated4\"><a data-rel=\"photography_gallery_4988\" data-title=\"Mandatory harvest, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/03_Recoleccion-obligatoria_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/03_Recoleccion-obligatoria_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/03_Recoleccion-obligatoria_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated5\"><a data-rel=\"photography_gallery_4988\" data-title=\"Vacuuming in the street, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/04_Aspirando-en-la-calle_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/04_Aspirando-en-la-calle_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/04_Aspirando-en-la-calle_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated6\"><a data-rel=\"photography_gallery_4988\" data-title=\"The morning paper, monochrome analog photograph, 60 x 80 cm. \/ 90 x 120 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/08_El-diario-de-la-man\u0303ana_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/08_El-diario-de-la-man\u0303ana_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/08_El-diario-de-la-man\u0303ana_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated7\"><a data-rel=\"photography_gallery_4988\" data-title=\"Empty jars, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/10_Frascos-vacios_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/10_Frascos-vacios_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/10_Frascos-vacios_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated8\"><a data-rel=\"photography_gallery_4988\" data-title=\"Harvesting I, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/05_Recolectando-I_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/05_Recolectando-I_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/05_Recolectando-I_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated9\"><a data-rel=\"photography_gallery_4988\" data-title=\"Fragile, monochrome analog photograph, 60 x 80 cm. \/ 90 x 120 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/09_Fragil_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/09_Fragil_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/09_Fragil_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated10\"><a data-rel=\"photography_gallery_4988\" data-title=\"Paperboard, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/07_Carton_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/07_Carton_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/07_Carton_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated11\"><a data-rel=\"photography_gallery_4988\" data-title=\"Still life, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/11_Naturaleza-muerta_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/11_Naturaleza-muerta_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/11_Naturaleza-muerta_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated12\"><a data-rel=\"photography_gallery_4988\" data-title=\"Self portrait, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/12_Autorretrato_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/12_Autorretrato_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/12_Autorretrato_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated13\"><a data-rel=\"photography_gallery_4988\" data-title=\"Transparency, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/15_Transparencia_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/15_Transparencia_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/15_Transparencia_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated14\"><a data-rel=\"photography_gallery_4988\" data-title=\"Harvesting in the river, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/14_Recoleccion-en-el-rio_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/14_Recoleccion-en-el-rio_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/14_Recoleccion-en-el-rio_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated15\"><a data-rel=\"photography_gallery_4988\" data-title=\"Harvest, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/16_Recoleccion_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/16_Recoleccion_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/16_Recoleccion_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element masonry  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated16\"><a data-rel=\"photography_gallery_4988\" data-title=\"The Madonna with bread, monochrome analog photograph, 60 x 80 cm, 2001 - 2005\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/13_La-madonna-de-los-panes_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/13_La-madonna-de-los-panes_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/13_La-madonna-de-los-panes_Bricolage-Contemporaneo_Matilde-Marin-705x528.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div class=\"one_half \" style=\"\">\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/641646669?title=0&amp;byline=0&amp;portrait=0\" width=\"\" height=\"\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p>\n<strong>Bricolage Contempor\u00e1neo<\/strong><br \/>\n<h8>Adriana Lauria, Teresa Macri, Pastor Mellado, Buenos Aires, 2005<\/h8>\n<\/div>\n<div class=\"one_half last \" style=\"\">\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/641646837?title=0&amp;byline=0&amp;portrait=0\" width=\"\" height=\"\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p>\n<strong>De Natura (Altered Zone)<\/strong><br \/>\n<h8>Curator: Mercedes Casanegra, Sala Cronopios, Recoleta Cultural Center, Buenos Aires, Argentina, 2008<\/h8>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<hr class=\"thick\"\/>\n<div class=\"one_third \" style=\"\">\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/641647047?title=0&amp;byline=0&amp;portrait=0\" width=\"\" height=\"\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p>\n<strong>La acci\u00f3n y su registro<\/strong><br \/>\n<h8>Curator: Adriana Lauria, group show on performance, F.J. Klemm, Buenos Aires, Argentina, 2009<\/h8>\n<\/div>\n<div class=\"one_third \" style=\"\">\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/641647123?title=0&amp;byline=0&amp;portrait=0\" width=\"\" height=\"\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p>\n<strong>TODAV\u00cdA, Pensamiento y Cultura en Am\u00e9rica Latina<\/strong><br \/>\n<h8>Guest artist: Matilde Marin, OSDE Foundation Publication, Buenos Aires, Argentina, 2009<\/h8>\n<\/div>\n<div class=\"one_third last \" style=\"\">\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/641647208?title=0&amp;byline=0&amp;portrait=0\" width=\"\" height=\"\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p>\n<strong>Arte Argentino actual en la colecci\u00f3n de MALBA, obras 1989-2010<\/strong><br \/>\n<h8>Malba Colecci\u00f3n Costantini, Buenos Aires, Argentina, 2011<\/h8>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div id=\"16455275745053128\" data-gallery-id=\"4996\" data-items=\"0\" data-columns=\"4\" data-type=\"grid\" class=\"portfolio_filter_wrapper infinite_grid portfolio-content content gallery four_cols wide\" data-columns=\"4\">\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated1\"><a data-rel=\"photography_gallery_4996\" data-title=\"De Natura (altered zone), Recoleta Cultural Center, Sala Cronopios, Buenos Aires, 2008\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/02_Exposicion_Bricolage-Contemporaneo_La-Recoleccion_02_CCRecoleta_2008_Marin-300x206.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/02_Exposicion_Bricolage-Contemporaneo_La-Recoleccion_02_CCRecoleta_2008_Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/02_Exposicion_Bricolage-Contemporaneo_La-Recoleccion_02_CCRecoleta_2008_Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated2\"><a data-rel=\"photography_gallery_4996\" data-title=\"De Natura (altered zone), Recoleta Cultural Center, Sala Cronopios, Buenos Aires, 2008\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/01_Exposicion_Bricolage-Contemporaneo_La-Recoleccion_01_CCRecoleta_2008_Marin-300x206.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/01_Exposicion_Bricolage-Contemporaneo_La-Recoleccion_01_CCRecoleta_2008_Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/01_Exposicion_Bricolage-Contemporaneo_La-Recoleccion_01_CCRecoleta_2008_Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated3\"><a data-rel=\"photography_gallery_4996\" data-title=\"Archaeologist of herself, Osde Foundation, Art Space, 2017\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/03_Exposicion_Arqueologa-de-si-misma_Bricolage-Contemporaneo_Fundacion-Osde_2017_Marin-300x196.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/03_Exposicion_Arqueologa-de-si-misma_Bricolage-Contemporaneo_Fundacion-Osde_2017_Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/03_Exposicion_Arqueologa-de-si-misma_Bricolage-Contemporaneo_Fundacion-Osde_2017_Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated4\"><a data-rel=\"photography_gallery_4996\" data-title=\"Archaeologist of herself, Osde Foundation, Art Space, 2017\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/04_Exposicion_Arqueologa-de-si-misma_Bricolage-Contemporaneo_Fundacion-Osde_2017_Marin-300x300.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/04_Exposicion_Arqueologa-de-si-misma_Bricolage-Contemporaneo_Fundacion-Osde_2017_Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/04_Exposicion_Arqueologa-de-si-misma_Bricolage-Contemporaneo_Fundacion-Osde_2017_Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div class=\"two_third \" style=\"\">\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/641647423?title=0&amp;byline=0&amp;portrait=0\" width=\"\" height=\"\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<\/div>\n<div class=\"one_third last \" style=\"\">\n<strong>Contemporary Bricolage (Recollection)<\/strong><\/p>\n<p><h8><strong>Concept and direction:<\/strong> Matilde Mar\u00edn<br \/>\n<strong>Photography:<\/strong> Matilde Mar\u00edn<br \/>\n<strong>Camera and edition:<\/strong> Daniela Muttis<br \/>\n<strong>Audio recording and editing:<\/strong> Nicol\u00e1s Diab<br \/>\n<strong>Format:<\/strong> MP4<br \/>\n<strong>Codec:<\/strong> mpeg<br \/>\n<strong>Dimensions:<\/strong> 1920 x 1080<br \/>\n<strong>FPS:<\/strong> 25<br \/>\n<strong>Sound:<\/strong> Stereo<br \/>\n<strong>Running time:<\/strong> 4 mins.<br \/>\nBuenos Aires, 2004<\/h8><\/p>\n<div class=\"pp_accordion_close has_icon\">\n<h3><a href=\"#\"><i class=\"fa fa-plus\"><\/i>Concept of the video:<\/a><\/h3>\n<div>\n<p>\n<h8>\u00abContemporary Bricolage\u00bb gives an account of the new codes and situations in the city of Buenos Aires from the break suffered between 2001 and 2002. Its marginal inhabitants, their activities to survive, the needs of the people, beyond the materials. The circumstances that life implies in a big city in crisis.<\/h8>\n<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div class=\"pp_accordion_close has_icon\">\n<h3><a href=\"#\"><i class=\"fa fa-file\"><\/i>A matter of intensity<\/a><\/h3>\n<div>\n<p class=\"p1\">Cardboards and papers, twines, branches, stones, packing tapes, bags, food, soap bubbles and even lines in space, are summoned by Matilde Mar\u00edn in these series of photo performances.<\/p>\n<p class=\"p1\">The artist&#8217;s hands, the common denominator of all images, protect the inclusion of objects and activate them factually and semantically. They hold them, play with them, offer them, caress them, emphasize and transform them.<\/p>\n<p class=\"p1\">A concrete plastic product does not come out of them \u2013a sculpture, an engraving, a book, a construction on paper, according to their training and trajectory\u2013, but rather their gestures and the expressiveness of their physical appearance create images with a strong symbolic charge that they replace the artisan workmanship and underpin the aesthetic power of an idea. It is primarily a matter of intensity.<\/p>\n<p class=\"p1\">Her staging comments, almost better than in any other way, the relationship between being (artist) and doing (artistic), that still surprising indifference, which she amalgamates in the creative act, object and subject.<\/p>\n<p class=\"p1\"><b>Procedure: the path to the image<\/b><\/p>\n<p class=\"p1\">The complexity of the method, which implies teamwork, speaks of the poetic position involved. After the development of the script and the tests carried out with her assistants, it is a technician who takes the photographic shots in her studio. In this way the necessary distance is created for the artist to sharpen \u00abher gaze\u00bb on elements and postures, on how what she imagines really looks like. And in this double and dialectical intervention \u2013exhibitionist and voyeur\u2013, she chooses, adjusts, frames, defines, both at the time of selection of tests and in the laboratory process. There the peripheral darkening effects and the accentuation of the lights that bathe and enhance the images are completed. The size and number of copies are determined with the same criteria that she has adopted for her engravings. Limited editions or with special characteristics for each copy, limit the profusion to which the multiple would give rise, contradicting this condition and transforming it almost into a unique piece.<\/p>\n<p class=\"p1\">The sepia tones, achieved with color film copied with a black and white process, reinforce forms and attitudes, and cover them with a certain nostalgic patina of antiquity. The compositions refer to the genre of still life, which is treated with the chiaroscuro and theatricality typical of Baroque painting, a period in the history of art in which this typology is consolidated.<\/p>\n<p class=\"p1\"><b>Contemporary Bricolage<i><span class=\"Apple-converted-space\">\u00a0<\/span><\/i><\/b><\/p>\n<p class=\"p1\">After the political and economic conflicts that led to the outbreak of December 2001, the crisis overwhelmed Argentines and the social and moral consequences became cruelly evident during the next year. It is then that Matilde Mar\u00edn begins this series that she continues to this day, trying to capture a delicate and painful subject, without renouncing the poetic metaphor \u2013as any well-born artist should do\u2013, carefully avoiding mere pamphlet protests.<\/p>\n<p class=\"p1\">Fragments of papers, cardboard and plastics, packaging items such as the rubberized tape with the word \u201cfragile\u201d \u2013which seems to allude to more than one reality\u2013, bags of the kind that have been used lately in the waste selection and recovery campaign with legends in green &#8211; the color of recycling, of ecology, but also of hope &#8211; they start this set.<\/p>\n<p class=\"p1\">The beautification of the waste used, achieved by careful lighting, as well as by the different technical steps involved \u2013from the taking to the final copying\u2013, is singularly confirmed by the bodily gesture, which shows them in a subtle offering attitude.<\/p>\n<p class=\"p1\">This aestheticization seems to correspond to an assessment of these waste materials that can be transformed into \u00abprecious\u00bb merchandise, the product of which, obtained with effort, feeds a family. Parable of the alchemy of art that transmutes into beautiful images the most depreciated elements, the most trivial attitudes, the most everyday gestures, here the focus is on the possibility that these kinds of conversions transcend the social good. The ethical implications of this type of proposition, resignify the scope of aesthetic action.<\/p>\n<p class=\"p1\">In this sense, the position of the arms forms the concavity that could rock a baby, and the photograph in which this gesture appears empty, evokes the orphanhood of all resources. But it is also the place to install a promise. In each of the compositions a metaphor is progressively built in which it is shown, from the urgency of \u00abnot having anything in hand\u00bb or of \u00abremaining empty-handed\u00bb, that there is also a world of probabilities. The gap is evident when the false promises that cover up plundering, to which Argentina and a growing number of its citizens have been systematically subjected for years, are broken and disappear. Dispeling the mirages are our arms to lull and build an uncertain future, harsh, but not impossible.<\/p>\n<p class=\"p1\">And that construction requires a first act of donation, of that offering that every catastrophe demands. The arms are filling up: with empty containers, with papers, cardboard and plastics, with all the things that those who make a living by recycling garbage. Marginalized by the growing unemployment that has prevailed for more than a decade, they resort to this job of \u201ccartonero\u201d that involves stirring and separating what for some is waste, and which for others becomes a resource for daily subsistence.<\/p>\n<p class=\"p1\">The offering attitude continues in successive pieces. Now the arms are filled with food: fruits, meat, fish, milk, all products that the fey nature of the country insists on offering and that, both the cultural and educational backwardness and the distributive injustice, turn into a source of community ignominy. Malnutrition rages on a land that has the capacity to produce enough food for a number of people several times that of its inhabitants.<\/p>\n<p class=\"p1\">This reality is opposed by the beautiful gesture of the act of solidarity, the miracle of transformation, the signaling, and therefore the awareness of the possibilities that we have at hand, if we are able to glimpse them, share them, seek their realization and defending.<\/p>\n<p class=\"p3\">Excerpt from the essay by Adriana Lauria for the publication \u201cMatilde Mar\u00edn, Bricolage Contempor\u00e1neo\u201d, Buenos Aires, 2005<\/p>\n<hr class=\"normal\"\/>\n<p><h8>1. Very often the only tangible consequence of a performance &#8211; a genre that in the visual arts implies the presence of the artist performing an action &#8211; is a photograph or a film. This ends up leading to actions directly designed for optical recording, which give rise to photo and video performance. Although these modalities became frequent from the 60s, when performance turned into one of the manifestations of conceptual art, previous antecedents can be traced. During the first decades of the 20th century we find actions carried out especially for the camera, such as those of the Dadaists Marcel Duchamp and the photographer Man Ray, some of them carried out in collaboration. Argentine art has its own tradition, well represented in the 60s by Alberto Greco&#8217;s Vivo Dito, and in the 90s by the production of Liliana Maresca and Oscar Bony.<\/h8><\/p>\n<p><h8>2. Bricolage \u201dis a French word that comes from the verb \u201cbricoler\u201d which means to possess great ability especially for manual work. By extension, it has been used internationally as a term that designates repairs and work that is done on your own in the domestic environment. Following the Spanish orthographic rules, its spelling is \u00abbricolaje\u00bb, but in this case the French version has been preferred, possibly due to the resonance it has with the term collage, so deeply rooted within the plastic activity.<\/h8>\n<\/p>\n<\/div>\n<\/div>\n<div class=\"pp_accordion_close has_icon\">\n<h3><a href=\"#\"><i class=\"fa fa-file\"><\/i>A hint of hope<\/a><\/h3>\n<div>\n<p class=\"p1\"><span class=\"s1\"><i>The Need<\/i><\/span>, together with <span class=\"s1\"><i>The Collection<\/i><\/span> and <span class=\"s1\"><i>The Illusion<\/i><\/span> are included in the <span class=\"s1\"><i>Contemporary Bricolage<\/i><\/span> series that began in 2001, motivated by the social crisis experienced in Argentina at the end of that year.<\/p>\n<p class=\"p1\">Faced with excess consumerism and identified with those who try to survive with the minimum, Mar\u00edn resorts to humble materials and basic foods (bread, fish, beef) in her series of photo-performances, <span class=\"s1\"><i>The Collection<\/i><\/span>. She lovingly holds them in her arms, inaugurating an unusual aura ceremony of valorization of the elemental. A very careful play of light contributes to the \u00abglorification\u00bb of the motif.<\/p>\n<p class=\"p1\">It is not the first time that Mar\u00edn has involved her own body. She had done it in previous series, such as <span class=\"s1\"><i>Playing Hands<\/i><\/span>, and also in <span class=\"s1\"><i>Itineraries,<\/i><\/span> when she photographed her shadow on different territories from Latin America.<\/p>\n<p class=\"p1\">However, the counter-utopian vision that hovers over the recent work of the artist also reveals a discreet quota of hope. We see her in the video-performance<span class=\"s1\"><i> El d\u00eda de Karina (The illusion) <\/i><\/span>dedicated to a young woman who walks through the streets of Buenos Aires selling dolls that she makes herself. She is one of many Argentines trying to survive in the midst of the economic crisis. Mar\u00edn sees in her dolls a symbol of illusion: they are used to make soap bubbles that rise in the air and, ephemeral, disappear.<\/p>\n<p class=\"p1\">Not only hope is possible. So does beauty. This is, without a doubt, the dominant quality of the videos<span class=\"s1\"><i> Cold River<\/i><\/span> (2008) and <span class=\"s1\"><i>Not too far<\/i><\/span> (2005). With different shades, beauty is also present in Mar\u00edn&#8217;s new photographic series. In some cases it is colder, as in <span class=\"s1\"><i>Turbulence I<\/i><\/span> (2008), a suite of 9 analogue photographs. In others, she takes on a more poetic tone that can become dramatic, as in the photo-performance <span class=\"s1\"><i>Natural Care<\/i><\/span> (2003), where she confronts the delicacy of the hand with the impiety of a piece of raw meat. There is also beauty in cardboard carts, the fruit of a natural creative spontaneity.<\/p>\n<p class=\"p3\"><strong>Elena Oliveras<\/strong><br \/>\nExcerpt from the essay \u201cThe possible beauty\u201d, Art Nexus International, 2010<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div id=\"1645527574823159364\" data-gallery-id=\"5003\" data-items=\"0\" data-columns=\"4\" data-type=\"grid\" class=\"portfolio_filter_wrapper infinite_grid portfolio-content content gallery four_cols wide\" data-columns=\"4\">\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated1\"><a data-rel=\"photography_gallery_5003\" data-title=\"Contemporary, \u201cContemporary Bricolage\u201d, exhibition, Luc\u00eda de la Puente Gallery, Lima, Peru, 2003\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/01.Documentacion-02_Lucia-de-la-Puente_Lima_2003_Bricolage-Contemporaneo_Matilde-Marin-300x224.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/01.Documentacion-02_Lucia-de-la-Puente_Lima_2003_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/01.Documentacion-02_Lucia-de-la-Puente_Lima_2003_Bricolage-Contemporaneo_Matilde-Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated2\"><a data-rel=\"photography_gallery_5003\" data-title=\"Public Projection, \u201cContemporary Bricolage\u201d, facade of the Faculty of Economic Sciences, Buenos Aires, 2009\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/04_Proyeccion-en-espacio-publico_Video-Bricolage-Contemporaneo_Matilde-Marin-300x200.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/04_Proyeccion-en-espacio-publico_Video-Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/04_Proyeccion-en-espacio-publico_Video-Bricolage-Contemporaneo_Matilde-Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated3\"><a data-rel=\"photography_gallery_5003\" data-title=\"Public Projection, \u201cContemporary Bricolage\u201d, facade of the Faculty of Economic Sciences, Buenos Aires, 2009\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/02_Proyeccion-en-espacio-publico_Video-Bricolage-Contemporaneo_Matilde-Marin-300x200.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/02_Proyeccion-en-espacio-publico_Video-Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/02_Proyeccion-en-espacio-publico_Video-Bricolage-Contemporaneo_Matilde-Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated4\"><a data-rel=\"photography_gallery_5003\" data-title=\"Public Projection, \u201cContemporary Bricolage\u201d, facade of the Faculty of Economic Sciences, Buenos Aires, 2009\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/03_Proyeccion-en-espacio-publico_Video-Bricolage-Contemporaneo_Matilde-Marin-300x200.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/03_Proyeccion-en-espacio-publico_Video-Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/03_Proyeccion-en-espacio-publico_Video-Bricolage-Contemporaneo_Matilde-Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated5\"><a data-rel=\"photography_gallery_5003\" data-title=\"\u201cArchaeologist of herself\u201d exhibition, installation of works, Osde Foundation, Art Space, Buenos Aires, 2017\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/05_Montaje-en-Fundacion-Osde_Bricolage-Contemporaneo_Matilde-Marin-225x300.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/05_Montaje-en-Fundacion-Osde_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/05_Montaje-en-Fundacion-Osde_Bricolage-Contemporaneo_Matilde-Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated6\"><a data-rel=\"photography_gallery_5003\" data-title=\"\u201cArchaeologist of herself\u201d exhibition, installation of works, Osde Foundation, Art Space, Buenos Aires, 2017\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/07_Montaje-en-Fundacion-Osde_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/07_Montaje-en-Fundacion-Osde_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/07_Montaje-en-Fundacion-Osde_Bricolage-Contemporaneo_Matilde-Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated7\"><a data-rel=\"photography_gallery_5003\" data-title=\"\u201cArchaeologist of herself\u201d exhibition, installation of works, Osde Foundation, Art Space, Buenos Aires, 2017\" data-desc=\"\" data-thumb=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/08_Montaje-en-Fundacion-Osde_Bricolage-Contemporaneo_Matilde-Marin-300x225.jpg\" href=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/08_Montaje-en-Fundacion-Osde_Bricolage-Contemporaneo_Matilde-Marin.jpg\"  class=\"fancy-gallery\"><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/\/08_Montaje-en-Fundacion-Osde_Bricolage-Contemporaneo_Matilde-Marin-705x529.jpg\" alt=\"\" class=\"preview\"\/><\/a><\/div>\n<\/div>\n<div class=\"element grid  classic4_cols blur\">\n<div class=\"one_fourth gallery4 static filterable gallery_type animated8\"><a data-rel=\"photography_gallery_5003\" data-title=\"\u201cArchaeologist of herself\u201d exhibition, installation of works, Osde Foundation, Art Space, Buenos Aires, 2017\" data-desc=\"\" 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style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":4355,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4987","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages\/4987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/comments?post=4987"}],"version-history":[{"count":16,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages\/4987\/revisions"}],"predecessor-version":[{"id":5610,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages\/4987\/revisions\/5610"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/media\/4355"}],"wp:attachment":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/media?parent=4987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}