{"id":5312,"date":"2021-09-13T19:55:21","date_gmt":"2021-09-13T19:55:21","guid":{"rendered":"https:\/\/www.matildemarin.com\/cuando-divise-el-humo-azul-de-itaca-nucleo\/"},"modified":"2022-02-22T11:15:15","modified_gmt":"2022-02-22T11:15:15","slug":"cuando-divise-el-humo-azul-de-itaca-nucleo-eng","status":"publish","type":"page","link":"https:\/\/www.matildemarin.com\/en\/cuando-divise-el-humo-azul-de-itaca-nucleo-eng\/","title":{"rendered":"When I sight the blue smoke of Ithaca"},"content":{"rendered":"
\n
\n
\n
\n
\n
Works<\/a> | Video<\/a> | Exhibitions<\/a> | Publications<\/a> | Texts<\/a> | Additional<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

Since 2005, Matilde Marin has been gathering evidence in a work in progress built from clippings of hundreds of photographs of smoke that appeared in the printed press, with their respective captions: \u00abYou just have to read them to have a global vision of our convulsive times,\u00bb she says. Finally, when she managed to see a considerable amount of documentation, she was able to notice that \u201cthe smoke was internally linked to war, to environmental disasters and rarely to pleasant moments. I cut out a lot of them, and as I always do, once I had the idea mature, then I started to work\u201d<\/h4>\n

Text excerpt from \u201cThe fire that we have built\u201d by Jimena Ferreiro, 2019<\/p>\n<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

arteBA, 2016<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

arteBA, 2016<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

La Habana, 2019<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

Galer\u00eda Del Infinito, 2019<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n
\n
\"\"<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n