{"id":5380,"date":"2021-08-31T22:31:32","date_gmt":"2021-08-31T22:31:32","guid":{"rendered":"https:\/\/www.matildemarin.com\/proyecto-pharus-nucleo\/"},"modified":"2022-02-22T11:08:39","modified_gmt":"2022-02-22T11:08:39","slug":"proyecto-pharus-nucleo-eng","status":"publish","type":"page","link":"https:\/\/www.matildemarin.com\/en\/proyecto-pharus-nucleo-eng\/","title":{"rendered":"Pharus Project"},"content":{"rendered":"<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div class=\"promo_box\" style=\"background-color:#d9d9d9;\"><a href=\"#obra-pharus\">Works<\/a> | <a href=\"#video-pharus\">Video<\/a> | <a href=\"#exposiciones-pharus\">Exhibitions<\/a> | <a href=\"#publicaciones-pharus\">Publications<\/a> | <a href=\"#textos-pharus\">Texts<\/a> | <a href=\"#extra-pharus\">Additional<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h2 style=\"text-align: center;\">Back then the lighthouse was a misty silver tower with a yellow eye that opened gently at nightfall.<\/h2>\n<p style=\"text-align: center;\">To the Lighthouse, Virginia Woolf<\/p>\n<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div class=\"two_third \" style=\"\">\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/394539032?title=0&amp;byline=0&amp;portrait=0\" width=\"\" height=\"\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<\/div>\n<div class=\"one_third last \" style=\"\">\n<strong>Ocean Sea<\/strong><br \/>\n<h8><strong>Original idea and direction:<\/strong> Matilde Mar\u00edn<br \/>\n<strong>Edition and soundtrack:<\/strong> Ignacio Laxalde<br \/>\n<strong>Projection format:<\/strong> mp4 H264<br \/>\n<strong>Dimensions:<\/strong> Full HD 1920 x 1080<br \/>\n<strong>Aspect ratio:<\/strong> 16.9<br \/>\n<strong>FPS:<\/strong> 25<br \/>\n<strong>Sound:<\/strong> Stereo<br \/>\n<strong>Running time:<\/strong> 4 mins.<br \/>\nIceland, 2018<\/h8><br \/>\n.<\/p>\n<div class=\"pp_accordion_close has_icon\">\n<h3><a href=\"#\"><i class=\"fa fa-plus\"><\/i>Concept of the video:<\/a><\/h3>\n<div>\n<p>\n<h8>The Ocean Sea video registers the Hraunhafnartangi Lighthouse located between the Norwegian Sea and the Greenland Sea, opening towards the Arctic Ocean, in the Northeast region of Iceland, south of the Arctic Circle. The lighthouse alerts us to think that the rhythm of transformations that unfold one after the other, and loom subsequently, limit day by day an ancestral poetic of \u00abletting oneself be guided by light\u00bb, trying to change the paradigm of the lighthouse, which nonetheless keeps shining with its symbolic light.<\/h8>\n<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<hr class=\"thick\"\/>\n<div class=\"two_third \" style=\"\">\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/596524221?title=0&amp;byline=0&amp;portrait=0\" width=\"\" height=\"\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<\/div>\n<div class=\"one_third last \" style=\"\">\n<strong>South Atlantic<\/strong><br \/>\n<h8><strong>Original idea:<\/strong> Matilde Mar\u00edn<br \/>\n<strong>Direction and photography:<\/strong> Matilde Mar\u00edn<br \/>\n<strong>Edition and soundtrack:<\/strong> Ignacio Laxalde<br \/>\n<strong>Projection Format:<\/strong> MP4<br \/>\n<strong>Codec:<\/strong> mpeg<br \/>\n<strong>Dimensions:<\/strong> 1920&#215;1080<br \/>\n<strong>FPS:<\/strong> 25<br \/>\n<strong>Sound:<\/strong> Stereo<br \/>\n<strong>Running time:<\/strong> 4 minutes<br \/>\nUshuaia, Tierra del Fuego, 2011<\/h8><br \/>\n.<\/p>\n<div class=\"pp_accordion_close has_icon\">\n<h3><a href=\"#\"><i class=\"fa fa-plus\"><\/i>Concept of the video:<\/a><\/h3>\n<div>\n<p>\n<h8>\u00abBack then the lighthouse was a misty silver tower with a yellow eye that opened gently at nightfall.\u00bb To the lighthouse, Virginia Woolf.<br \/>\nThis project started in 2005 is a work in progress. Since then, each work trip has helped me to get closer to some emblematic lighthouse that I identify, document and film. The South Atlantic video was filmed in 2011 on the Isla de los Estados, records the San Juan de Salvamento Lighthouse, one of the lighthouses that has marked the collective unconscious of humanity. This lighthouse represents the inspiration for the Lighthouse at the End of the World, written by Jules Verne.<\/h8>\n<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div class=\"one_half \" style=\"\">\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/02_Exposicion_Pharus_Fundacion-OSDE_Matilde-Marin.jpg\" alt=\"\" width=\"1500\" height=\"1000\" class=\"alignnone size-full wp-image-2689\" \/><br \/>\n<h8>Survey Exhibition \u00abArchaeologist of herself\u00bb, Osde Foundation Art Space, Buenos Aires, 2017<\/h8>\n<\/div>\n<div class=\"one_half last \" style=\"\">\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Oceano-Mar-Video_2021.jpg\" alt=\"\" width=\"1500\" height=\"1000\" class=\"alignnone size-full wp-image-4674\" \/><br \/>\n<h8>Ocean-Sea, video documented in Iceland in 2011, South Biennale (Km 12843), Jax District, Riyadh, Saudi Arabia, 2021<\/h8>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<hr class=\"thick\"\/>\n<div class=\"one_half \" style=\"\">\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/04_Exposicion_Proyecto-Pharus_Disen\u0303o-de-montaje_Matilde-Marin.jpg\" alt=\"\" width=\"1500\" height=\"1000\" class=\"alignnone size-full wp-image-2687\" \/><br \/>\n<h8>\u201cProyecto Pharus\u201d, Installation View<\/h8>\n<\/div>\n<div class=\"one_half last \" style=\"\">\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/03_Exposicion_Proyecto-Pharus_Galeria-Patricia-Ready_Chile_Matilde-Marin.jpg\" alt=\"\" width=\"1500\" height=\"1000\" class=\"alignnone size-full wp-image-2683\" \/><br \/>\n<h8>Exhibition \u201cProyecto Pharus\u201d, Galer\u00eda Patricia Ready Gallery, Santiago de Chile, 2012<\/h8>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div class=\"one_third \" style=\"\">\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/635636773?title=0&amp;byline=0&amp;portrait=0\" width=\"\" height=\"\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p>\n<strong>De lo Visual a lo afectivo<\/strong> (Practicas artisticas y cientificas en torno a visualidades, desplazamientos y artefactos)<br \/>\n<h8>2018, Buenos Aires, Biblos\/Culturalia Publishers, text and photographs by Matilde Mar\u00edn, El Mapa Ideal y los Artistas Viajeros, chapter Desplazamientos de miradas y de artefactos en el arte contempor\u00e1neo, coordinator Mariana Giordano.<\/h8>\n<\/div>\n<div class=\"one_third \" style=\"\">\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/606600777?title=0&amp;byline=0&amp;portrait=0\" width=\"\" height=\"\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p>\n<strong>PHARUS del Hemisferio Sur al Norte<\/strong><br \/>\n<h8>2021, C\u00f3rdoba, Argentina, Editorial Bosque Madura Publishers, texts by Adriana Musitano, Laura Casanovas, Matilde Mar\u00edn, Photographs by Matilde Mar\u00edn.<\/h8>\n<\/div>\n<div class=\"one_third last \" style=\"\">\n<div class=\"video-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/596462172?title=0&amp;byline=0&amp;portrait=0\" width=\"\" height=\"\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p>\n<strong>Matilde Mar\u00edn Proyecto Pharus<\/strong><br \/>\n<h8>2011, Santiago de Chile, ARTE+Corporaci\u00f3n &#8211; Patricia Ready Gallery Publishers, Prologue by Matilde Mar\u00edn, Photographs by Matilde Mar\u00edn.<\/h8>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div class=\"pp_accordion_close has_icon\">\n<h3><a href=\"#\"><i class=\"fa fa-file\"><\/i>Proyecto Pharus<\/a><\/h3>\n<div>\n<p class=\"p1\"><span class=\"s1\"><i>\u2026 or the light that guides the destiny of men<\/i><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">During 2005 I read in the newspape)rs a strange piece of news that attracted my attention: \u00abThe Lighthouses in the world will be disconnected because the GPS exists\u00bb.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">I looked for the etymology of the word lighthouse and found that in ancient Greek Pharus means \u00abthe light that guides the destiny of men\u00bb, it seemed to me something intense, perhaps romantic but real. I imagined this time and this current world so complex, without that light that guided so many destinies through the centuries.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Hist\u00f3ricamente los faros han sido \u201cla luz que gu\u00eda el destino de los hombres\u201d, tal como lo definieron los griegos. La humanidad actualmente atraviesa per\u00edodos de una gran incertidumbre social y econ\u00f3mica. Mi objetivo es que el proyecto a trav\u00e9s de sus textos, videos e im\u00e1genes sirva como disparador de reflexiones sobre un camino posible a seguir para llegar a un puerto seguro, tal como suced\u00eda hist\u00f3ricamente con los faros que generalmente estaban localizados en zonas costeras de alta peligrosidad.<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">I am an artist and I know that art will not change the world, but artists can and do have the ability to show and point out things in a different way and this is what my project, which began in 2005, consists of. Since then, each work trip has helped me get closer to a lighthouse that I identify, document and film.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">I privilege the identification and documentation of emblematic lighthouses, lighthouses that have left a mark on humanity. I must say that my current production is focused on the role of the artist as a \u00abwitness\u00bb, documenting through photography and video stories about the world we inhabit, in what I call \u00abextended ecology\u00bb.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The first documentation of the PHARUS project began during my visit to Cabo Virgenes, where I took the first photographs and filmed the Lighthouse at the southern end of the American continent in front of the mythical Strait of Magellan, the place where the Atlantic and Pacific oceans meet.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The various professional trips of these years brought me closer to the lighthouses that I chose, as the project progressed I discovered not only the location of each lighthouse, but also its aesthetic-architectural variety, its significant history and the link with art and the poetry that many of its locations generate.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Many of these meanings reflect ideas of freedom, of utopias, and I thought of the difficulties that, in the age of generalized technology, human beings still suffer, needing the light of a beacon to make themselves visible and fully understood.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">In the history of humanity there are many elements that refer to the journey, but only a few have symbolized the journeys such as the lighthouse, erected on the border of sea and land, guiding those who pursue what lies beyond\u2026<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Matilde Mar\u00edn<br \/>\n<\/b><\/span><span class=\"s1\">Buenos Aires, december, 2020<\/span><\/p>\n<hr \/>\n<p class=\"p6\"><span class=\"s1\"><b><i>Faro de Cabo V\u00edrgenes<\/i>, Santa Cruz, Argentina.<br \/>\n<\/b><\/span><span class=\"s1\"><b>Documentado en 2005.<\/b><\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">All\u00ed, en el extremo Sur del continente americano, entremedio de las peligrosas aguas que bordean el Estrecho de Magallanes y de vientos voraces de hasta 100 km por hora, se erige como una figura bicolor recortada en la inmensidad, el Faro de Cabo de V\u00edrgenes.\u00a0<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">Descubierto el 21 de octubre de 1520 por Hernando de Magallanes en el d\u00eda de las Mil V\u00edrgenes, fecha en la que seg\u00fan cuentan las leyendas medievales, la m\u00e1rtir Santa \u00darsula de Colonia se enfrenta a Atila, el huno, y es coronada en los cielos junto a once v\u00edrgenes.<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">Es en este mismo Cabo de V\u00edrgenes,\u00a0que da paso mar\u00edtimo entre los oc\u00e9anos Atl\u00e1ntico y Pacifico,\u00a0donde se erige en el siglo XVI la\u00a0primera fundaci\u00f3n de la Patagonia Argentina: la Antigua Ciudad del Nombre de Jes\u00fas; y donde los viajeros luego de las vicisitudes por conseguir alimentos en este clima tan inh\u00f3spito, lo bautizan en las narraciones populares como el\u00a0<\/span><span class=\"s2\"><i>Puerto del Hambre,<\/i><\/span><span class=\"s1\">\u00a0desconociendo que debajo de esta misma remota punta del continente Sur, las arenas escond\u00edan lo que en 1876 llamar\u00edan el\u00a0<\/span><span class=\"s2\"><i>oro del fin del mundo.<\/i><\/span><\/p>\n<hr \/>\n<p class=\"p10\"><span class=\"s1\"><b><i>Macquarie Lightstation<\/i>, Sydney, Australia.<br \/>\n<\/b><\/span><span class=\"s1\"><b>Documentado en 2007.<\/b><\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">Completado en 1818,\u00a0el Faro\u00a0Macquarie fue dise\u00f1ado por Francis Greenway, un\u00a0arquitecto\u00a0de origen ingl\u00e9s que luego de entrar en bancarrota, se hab\u00eda declarado culpable de robar unos documentos bancarios para evitar su muerte. Greenway es declarado convicto y trasladado en 1814 a Sidney, donde por azar conoce en el barco que lo transporta al Almirante Arthur Phillips, fundador de la colonia penal para brit\u00e1nicos, quien le recomendar\u00eda a\u00a0<\/span><span class=\"s3\">Lachlan Macquarie,\u00a0<\/span><span class=\"s1\">el gobernador de Nueva Gales del Sur,<\/span><span class=\"s3\">\u00a0para comisionar el dise\u00f1o del Faro ep\u00f3nimo.<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">Pero el destino hab\u00eda reservado otro giro m\u00e1s para Greenway, a quien es\u00a0concedido\u00a0un perd\u00f3n parcial\u00a0por Macquarie, por la construcci\u00f3n del magn\u00e1nimo faro, garantizando as\u00ed su libertad.\u00a0Los cimientos de arenisca desmoronados llevaron a la construcci\u00f3n de un faro de reemplazo en 1883. Dise\u00f1ado por James Barnet\u00a0siguiendo los planos del original\u00a0para garantizar el\u00a0arribo\u00a0seguro de los barcos al puerto de Sydney\u00a0hasta hoy d\u00eda.<\/span><\/p>\n<hr \/>\n<p class=\"p6\"><span class=\"s1\"><b><i>Faro de H\u00e9rcules<\/i>, Galicia, Espa\u00f1a.<\/b><\/span><span class=\"s4\"><br \/>\n<\/span><span class=\"s1\"><b>Documentado en 2008.<\/b><\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">Construido en el S II D.C. Posiblemente bajo el mando de Trajano, y dise\u00f1ado a imagen del Faro de Alejandr\u00eda, esta torre Romana es el faro m\u00e1s antiguo del mundo a\u00fan en uso. La Torre de H\u00e9rcules se ubica en la pen\u00ednsula de La Coru\u00f1a, en Galicia y ha sido motivo de estudio exhaustivo debido a los diversos mitos sobre su origen.<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">El manuscrito irland\u00e9s del SXI\u00a0<\/span><span class=\"s2\"><i>Lebor Gab\u00e1la \u00c9renn\u00a0<\/i><\/span><span class=\"s1\">(Libro de las Invasiones) que compila poemas y prosas sobre los or\u00edgenes celtas,\u00a0da cuenta del episodio en el que el rey Breog\u00e1n, el padre fundador de la naci\u00f3n celta gallega, construy\u00f3 una enorme torre de tal altura que sus hijos pod\u00edan ver un verde lejano desde su cima. El vislumbre de esa distante tierra verde los atrajo a navegar hacia el norte de Irlanda. Seg\u00fan la leyenda, los descendientes de Breog\u00e1n se quedaron en Irlanda y son los antepasados celtas del pueblo irland\u00e9s actual.\u00a0<\/span><\/p>\n<p class=\"p11\"><span class=\"s5\">Seg\u00fan\u00a0la mitolog\u00eda griega, en el d\u00e9cimo de sus trabajos, el\u00a0h\u00e9roe H\u00e9rcules\u00a0desaf\u00eda al gigante rey antropomorfo Geri\u00f3n rob\u00e1ndole\u00a0<\/span><span class=\"s1\">el reba\u00f1o que ten\u00eda de vacas rojas y bueyes. Geri\u00f3n fue en busca de venganza y luch\u00f3 contra H\u00e9rcules, pero\u00a0<\/span><span class=\"s5\">luego\u00a0de tres d\u00edas y tres noches de batalla contin\u00faa,<\/span><span class=\"s1\">\u00a0este le lanz\u00f3 una flecha\u00a0embebida en\u00a0el veneno de la\u00a0<\/span><span class=\"s5\">Hidra<\/span><span class=\"s1\">, que atraves\u00f3 sus tres cuerpos y acab\u00f3 con \u00e9l<\/span><span class=\"s5\">. H\u00e9rcules entonces, en un gesto celta, enterr\u00f3 la cabeza de Geri\u00f3n con sus armas y orden\u00f3 que se construyera una ciudad en el sitio.\u00a0<\/span><span class=\"s1\">La\u00a0calavera y las tibias que aparecen en el escudo\u00a0de la\u00a0ciudad de La Coru\u00f1a, aluden\u00a0al relato m\u00edtico de la fundaci\u00f3n de la ciudad. La Torre de H\u00e9rcules es el elemento central del escudo de la ciudad de La Coru\u00f1a desde 1521.<\/span><\/p>\n<hr \/>\n<p class=\"p14\"><span class=\"s1\"><b><i>Faro de Finisterre<\/i>, La Coru\u00f1a, Espa\u00f1a.<br \/>\n<\/b><\/span><span class=\"s1\"><b>Documentado en 2009.<\/b><\/span><\/p>\n<p class=\"p11\"><span class=\"s1\">Los romanos cre\u00edan que all\u00ed donde se pone el sol sobre la inmensidad del oc\u00e9ano de la Costa de Morte, era el punto m\u00e1s occidental del mundo -el <\/span><span class=\"s2\"><i>finis terrae<\/i><\/span><span class=\"s1\"><span class=\"Apple-converted-space\">\u00a0 <\/span>o fin de la tierra-Fue en este mismo territorio, donde encontraron un altar dedicado al astro Rey Sol erigido por las tribus celtas de la regi\u00f3n.<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p class=\"p11\"><span class=\"s1\">Bordeando las costas m\u00e1s salvajes de Galicia, en las que el mar es verdadero soberano; este faro hist\u00f3rico y fascinante desde la antig\u00fcedad, hoy d\u00eda contin\u00faa su simbolismo y es el hito final de los peregrinos que guiados por las luces de la V\u00eda L\u00e1ctea, terminan el Camino de Santiago de Compostela y queman a la orilla del mar sus ropas para as\u00ed emprender traves\u00eda de regreso.<\/span><\/p>\n<hr \/>\n<p class=\"p6\"><span class=\"s1\"><b><i>Castle Breakwater Lighthouse<\/i>, Isla de Guernsey, Gran Breta\u00f1a.<\/b><\/span><span class=\"s4\"><br \/>\n<\/span><span class=\"s1\"><b>Documentado en 2010.\u00a0<\/b><\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">Construido con granito en la segunda d\u00e9cada del siglo XIX, el Faro rompeolas del\u00a0fortificado\u00a0castillo\u00a0del puerto de San Peter\u00a0en la Isla de Guernsey, fue creado en respuesta a una posible invasi\u00f3n de las fuerzas francesas bajo el mando de Napole\u00f3n. Es en esta misma Isla donde Victor Hugo, el m\u00e1ximo exponente del Romanticismo, encuentra refugio en\u00a01855 luego de su exilio de Francia y B\u00e9lgica, por manifestarse como feroz oponente del Segundo Imperio de Napole\u00f3n III. Guernsey se convertir\u00eda en la \u201croca de la hospitalidad y la libertad\u201d, como el poeta y dramaturgo proclamar\u00e1\u00a0en \u201cTrabajadores del mar\u201d, su novela marinera dedicada a la Isla.\u00a0<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">Desde su estudio\u00a0en la casa\u00a0<\/span><span class=\"s6\">Hauteville,\u00a0<\/span><span class=\"s1\">contemplaba el faro y los paisajes de niebla rodeados de vigorosos acantilados y salvajes bah\u00edas, y es all\u00ed donde\u00a0Victor\u00a0Hugo, pasar\u00eda el per\u00edodo m\u00e1s productivo de su vida y escribir\u00eda su obra cumbre,\u00a0\u201cLos Miserables\u201d;\u00a0Guernsey fue\u00a0su refugio\u00a0por m\u00e1s de 15 a\u00f1os.<\/span><\/p>\n<hr \/>\n<p class=\"p10\"><span class=\"s1\"><b><i>La Torre de Ushuaia<\/i>, Tierra del Fuego, Argentina<\/b><\/span><span class=\"s4\">.<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/span><span class=\"s1\"><b>Documentado en 2011.<\/b><\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">La Torre de Ushuaia es una de las m\u00faltiples luces que vigilan orgullosamente el Canal de Beagle donde los pa\u00edses hermanos Argentina y Chile se disputaron durante largos a\u00f1os la soberan\u00eda de las islas dentro y al sur del canal, y los espacios mar\u00edtimos adyacentes. Fue con apoyo del Vaticano que ambas regiones llegaron a un acuerdo que hasta nuestros d\u00edas se recuerda como el hito que dio por terminado el <\/span><span class=\"s7\">conflicto que dur\u00f3 m\u00e1s de dos tercios de siglo de disputa.<\/span><\/p>\n<hr \/>\n<p class=\"p10\"><span class=\"s1\"><b><i>Faro de San Juan de Salvamento<\/i>, Isla de los Estados, Atl\u00e1ntico Sur.<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/b><\/span><span class=\"s1\"><b>Documentado en 2011.<\/b><\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">El primer faro construido en aguas australes, fue el Faro de San Juan de Salvamento en el a\u00f1o 1884, en ocasi\u00f3n de la Divisi\u00f3n Expedicionaria al Atl\u00e1ntico Sur, al mando del comodoro\u00a0Augusto Lasserre en la Isla de los Estados; una remota geograf\u00eda donde brindaban salvamento para auxilio de los numerosos naufragios, que se produc\u00edan en las inmediaciones del\u00a0Cabo de Hornos.<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">Este emblem\u00e1tico Faro, singular por su ubicaci\u00f3n, fue durante mucho tiempo, la \u00fanica luz que ten\u00edan los navegantes en el Mar Austral. Un haz de esperanza <\/span><span class=\"s8\">al paisaje desconocido de la Ant\u00e1rtida, que<\/span><span class=\"s1\"> fue inmortalizado a partir de la excepcional obra literaria \u201cEl Faro del Fin del Mundo\u201d de Julio Verne publicada en 1901.<\/span><\/p>\n<hr \/>\n<p class=\"p14\"><span class=\"s1\"><b><i>Faro Molo de Abrigo de Iquique<\/i><\/b><\/span><span class=\"s9\">, <\/span><span class=\"s10\"><b>Iquique, Chile<\/b><\/span><span class=\"s9\">.<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/span><span class=\"s1\"><b>Documentado en 2011.<\/b><\/span><\/p>\n<p class=\"p11\"><span class=\"s10\">El\u00a0<\/span><span class=\"s1\">Faro Molo de Abrigo Iquique<\/span><span class=\"s10\">\u00a0ubicado en la regi\u00f3n de Tarapac\u00e1, originariamente territorio Peruano, descansa en la costa Pac\u00edfica al oeste del Desierto de Atacama, conquistado de Bolivia <\/span><span class=\"s5\">durante la Guerra del Pac\u00edfico (1879-1883)<\/span><span class=\"s10\">. Su estructura est\u00e1 conformada por una torre tradicional de forma troncoc\u00f3nica roja y posee una luz del mismo color que anuncia la banda de estribor del puerto.<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<hr \/>\n<p class=\"p6\"><span class=\"s1\"><b><i>Faro da Ponta do Sin\u00f3<\/i>, Cabo Verde.<br \/>\n<\/b><\/span><span class=\"s1\"><b>Documentado en 2011.<\/b><\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">El Faro da Ponta do Sin\u00f3\u00a0fue construido en 1892. Por su inusual arquitectura y ubicaci\u00f3n, en el punto\u00a0m\u00e1s al austral de la\u00a0Isla de Sal\u00a0del archipi\u00e9lago de\u00a0Cabo Verde,\u00a0en el Oc\u00e9ano Atl\u00e1ntico, es considerado como el m\u00e1s maravilloso del mundo.<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">La torre es cuadrangular y\u00a0cuenta con\u00a09 metros de altura.\u00a0Se accede por una\u00a0escalera exterior\u00a0que permite contemplar las inmensas playas de arenas blancas iluminadas por\u00a0los\u00a0350 d\u00edas de sol al a\u00f1o.<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">La\u00a0Isla\u00a0de Sal, denominada \u00abIsla Llana\u00bb en sus or\u00edgenes,\u00a0fue descubierta el 3 de diciembre de 1460 y\u00a0posteriormente tom\u00f3 el nombre de\u00a0\u00abSal\u00bb cuando se descubrieron las\u00a0dos\u00a0extensas Salinas de\u00a0Pedra de Lume y Santa Mar\u00eda.<\/span><\/p>\n<hr \/>\n<p class=\"p10\"><span class=\"s1\"><b><i>Hraunhafnartangi<\/i><\/b><\/span><b><i> <\/i><\/b><span class=\"s1\"><b><i>Lighthouse<\/i>, Raufarh\u00f6fn, Islandia.<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/b><\/span><span class=\"s1\"><b>Documentado en 2011.<\/b><\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">Seg\u00fan la mitolog\u00eda n\u00f3rdica, Islandia era la tierra de los reinos primordiales de los que emerg\u00eda y perec\u00eda toda la vida. Surcada por paisajes de hielo y fuego, en forma de volcanes, se cre\u00eda habitada por dioses n\u00f3rdicos, elfos, esp\u00edritus, y otras entidades haci\u00e9ndola responsable tanto de sus bajas como altas temperaturas.<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">El Faro de Hraunhafnartangi es el faro m\u00e1s septentrional del mundo, a unos 800 metros al sur del C\u00edrculo Polar \u00c1rtico, en la ciudad de Raufarh\u00f6fn, donde se encuentra el monumento \u00abArctic Henge\u00bb alineado con los cielos e inspirado en el mundo m\u00edtico del poema Eddic V\u00f6lusp\u00e1, del n\u00f3rdico antiguo: <\/span><span class=\"s2\"><i>Profec\u00eda de la vidente<\/i><\/span><span class=\"s1\">, en el cual la vidente le relata a Od\u00edn la historia de la creaci\u00f3n del mundo y su pr\u00f3ximo fin, dando lugar a un nuevo mundo que surgir\u00e1 de las cenizas del fuego.<\/span><\/p>\n<p class=\"p16\"><span class=\"s1\">Textos de la artista y fichas de documentaci\u00f3n<br \/>\n<\/span><span class=\"s1\">Matilde Marin<\/span><\/p>\n<p class=\"p17\"><span class=\"s1\">Fichas de documentaci\u00f3n<br \/>\n<\/span><span class=\"s1\">A\u00f1os diversos<\/span><\/p>\n<\/div>\n<\/div>\n<div class=\"pp_accordion_close has_icon\">\n<h3><a href=\"#\"><i class=\"fa fa-file\"><\/i>The ideal map and traveling artists<\/a><\/h3>\n<div>\n<p class=\"p1\" style=\"text-align: right;\"><i>\u201cWhen you set out on your<span class=\"Apple-converted-space\">\u00a0 <\/span>journey, pray that your path be long (\u2026)<br \/>\n<\/i><i><span class=\"Apple-converted-space\">\u00a0<\/span>Always keep Ithaca on your mind.<br \/>\n<\/i><i>Your arrival there is what you are destined for; but don&#8217;t in the least hurry the journey.<br \/>\n<\/i><i>Better that it lasts long, better having anchored when you&#8217;re old.<br \/>\n<\/i><i>Full, with the experience of the trip.<br \/>\n<\/i><i>C.P. Cavafy<\/i><\/p>\n<p class=\"p3\">Is the place where you want to arrive idealized? How do you get there? In what ways do you arrive? The Egyptian poet Constantine Cavafy shows us a route, probably a path that contains wisdom; a trip is always a change of location and there are always different trips&#8230; pleasure trips, lifelong dreams, work trips, but all of them are finally learning exercises and in all cases they put us to the test, because if experience is allowed to enter into one, it allows us to know ourselves and there we return to Cavafy.<\/p>\n<p class=\"p3\"><span class=\"s1\">In my life I have made many trips and of all kinds, except for one imagined in childhood that has not yet materialized and judging by the geographical location and the current political situation of that country, it is very likely that I will never reach it and it will remain as the pending dream of my life.<\/span><\/p>\n<p class=\"p6\">In my early childhood I used to read adventure magazines and in one of them I found a fascinating story of the French Jean-Fran\u00e7ois Champollion who, without reaching Egypt, managed to decipher the hieroglyphic writing of that culture, thanks mainly to the study of the Rosetta stone (currently in the Museum of the Louvre) reading that genre historical adventure in me the first genuine desire to travel.<\/p>\n<p class=\"p6\">After several years and already as a formal student at the National School of Fine Arts, I came across Jean-L\u00e9on G\u00e9r\u00f4me\u2019s painting \u00abBonaparte devant le Sphinx\u00bb made between 1867-1868, a magnificent confrontation that exposes two moments of world culture, on the one hand, Bonaparte on horseback observing the great sphinx of Gizeh, and on the other hand the sphinx observing and being observed by a traveling conqueror.<span class=\"s2\"><span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p class=\"p6\">When this work appeared before me, travel was again presented as a life and work option, and searching for information I began to read the journeys of some cursed poets such as Arthur Rimbaud&#8217;s \u00abLetters from Africa\u00bb that reveals that long and voluptuous journey in dangerous lands, exotic and sensual where everything can supposedly be experienced. There is a recent and beautiful edition of \u00abLetters from Africa\u00bb published by Gallonero in 2016. At that time, travel had no certain destination and was also synonymous with freedom. When Rimbaud writes to his parents \u00ab&#8230; we will travel, we will hunt in the deserts, we will sleep on the cobblestones of unknown cities, without care without sorrow&#8230;\u00bb he marks a style as a continuation of the historical journeys of adventurers and expeditionaries that were always in force in the different times.<\/p>\n<p class=\"p6\">I am a visual artist, this is my profession and in 1975 for various reasons I left my country Argentina, it was a complex departure but it led to one of the magnificent adventures of my life as it helped me broaden my perspective, learn about different cultures and recognize my profession, visit towns and cities where the teaching was the \u00abjourney and travel\u00bb, and feel multiple reasons for inspiration that were later deposited in various series of work.<\/p>\n<p class=\"p6\">From the understanding that travel was going to be part of the profession and that it is intertwined with life, I began to read literature by some writers such as Bruce Chatwin and his desire for the freedom that travel provides him. The place is remote and not very well known at that time, Argentine Patagonia emerges in Chatwin&#8217;s life and prompts him to leave a very simple note of resignation to his boss at work that says \u00abI&#8217;ve gone to Patagonia\u00bb, this departure marks a desire, a fantasy and a destiny that he will adopt for the rest of his life and his book \u00abIn Patagonia\u00bb published in 1977 and read by thousands of people continues the literature of traveling writers.<\/p>\n<p class=\"p6\">I would like to mention other very valuable writers inscribed in this genre, writers that I admire and from whom I have learned through their literary images that have later invaded my work.<\/p>\n<p class=\"p6\">Ryszard Kapuscinki and his wonderful book \u00abEbony\u00bb where the title and content is a play on words about black Africa and its stoicism. Kapuscinki traveled extensively throughout the African continent and tells big and small stories, the title of the book is the synthesis of it. Ebony that tall, black tropical tree that rises above wars and misfortune as its inhabitants do.<\/p>\n<p class=\"p6\">Another great book is \u00abThe Last Train to Zona Verde\u00bb by Paul Theroux, this epic writer is well known to many as a \u00abliving monument to travel prose\u00bb.<\/p>\n<p class=\"p6\">Antonio Tabucchi and his beautiful little book \u00abIndian Nocturne\u00bb where the excuse of the true story or not, makes him travel through deep regions of India thinking and looking for the woman of his life, this beautiful book was my company on a long journey through Asia where he completes the photographic trilogy of <i>Indeterminate Landscapes.<\/i><\/p>\n<p class=\"p10\" style=\"text-align: center;\"><i>\u201cCan we really travel to the other side of the world? If we travel to the other side of the world, will we be able to understand the place we arrived at?<br \/>\n<\/i><i>Indian Nocturen, Antonio Tabucchi<\/i><\/p>\n<p class=\"p6\">Currently traveling has become an important production resource for many contemporary visual artists. An artist travels to document regions, record ecological situations, photograph cities, travels to participate in exhibitions and biennials, in short, travels\u2026.<\/p>\n<p class=\"p6\">All of this, that is, \u00abtravel\u00bb as a means of production probably began with the long walks of Richard Long and his \u00abA line made by walking\u00bb of 1967, that artist enrolled in Land Art who for five decades has walked the world to building his work and leaving a legacy of spirituality defines his journey as:<\/p>\n<p class=\"p10\" style=\"text-align: center;\"><i>In each walk, not by conceptual definition, a particular idea appears.<br \/>\n<\/i><i>Therefore, walking-as art-provides a simple way<br \/>\n<\/i><i>for me to explore the relationships between time, distance, geography and measurement. These walks of my travels are recorded in my work in the most appropriate way for each different idea: a photograph, a map, or a text work.<br \/>\n<\/i><i>All these works feed the imagination.<br \/>\n<\/i><i>Richard Long<\/i><\/p>\n<p class=\"p6\">Another cult artist is Ronie Horn, his long stay in Iceland resulted in a unique place in the world \u00abThe Water Library\u00bb, a space built for the future where she collected water from 25 glaciers in extinction, traveled through the entire country and all the water collected from those glaciers deposited them in columns of water for posterity facing the Bay\u2026 in a building that had previously been a Library.<\/p>\n<p class=\"p10\" style=\"text-align: center;\"><i>I want to make being here enough.<br \/>\n<\/i><i>Maybe enough is enough. I won&#8217;t have to invent enough.<br \/>\n<\/i><i>I&#8217;ll be here and I&#8217;ll do nothing and this place will be here but I&#8217;ll do nothing.<br \/>\n<\/i><i>I&#8217;ll leave it here.<br \/>\n<\/i><i>Ronie Horn<\/i><\/p>\n<p class=\"p6\">Going back to the work I do in the visual arts for several years now, the journey has deeply marked much of my production.. I often photograph almost without a subject and I can work on my works that were generated from paths.<\/p>\n<p class=\"p3\">In a very anonymous and perhaps somewhat nomadic way, I travel to different cities and towns around the world in search of images and cultures that will later give rise to my various series.<\/p>\n<p class=\"p3\">Since 1995, I began to take photographs of the landscapes that crossed the Latin American soil, thus facing a new journey, I am interested in capturing the horizon in deep Patagonia, those strips of inexhaustible atmospheres that run through our country, \u00abHorizontal Landscapes\u00bb began the trilogy which was followed by \u00abAltered Landscapes\u00bb and \u00abIndeterminate Landscapes\u00bb. This series of photographic records in the southern part of the American continent emerges in some way as an involuntary landscape, something that arises outside the viewer who contemplates. The whole series of works had a post-photographic work that somehow while I was doing it reminded me of the Impressionists and their own look towards the experience with nature.<\/p>\n<p class=\"p19\" style=\"text-align: center;\"><i>The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening.<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/i><i>To the lighthouse, Virginia Woolf<\/i><\/p>\n<p class=\"p21\">During the year 2005 I read in the newspapers a strange news item that caught my attention: \u201cThe lighthouses in the world will be disconnected because there is a GPS\u201d. I looked up the etymology of the word<i> lighthouse<\/i> and found that in ancient Greek <i>Pharus <\/i>means \u00abthe light that guides the destiny of men\u00bb, it seemed to me something intense, perhaps romantic but real. I imagined this time and this current world so complex, without that light that guided so many destinations through the centuries.<\/p>\n<p class=\"p22\">The origin of the lighthouses has its most remote antecedent in the stepped tower built by Ptolemy II in honor of Alexander the Great, which with its monumental presence \u2013measuring more than 100 meters\u2013 and the enormous pyre that burned on its top, visible from a great distance, marked the location of the city of Alexandria; and was considered by the ancients as one of the seven wonders of the world. In fact, this surprising building -destroyed in modern times by an earthquake-, was located on the island of Pharos, very close to Alexandria, and from it, by extension, all those constructions destined to mark different geographical milestones took their name, which for centuries they were an indispensable guide for generations of sailors.<\/p>\n<p class=\"p22\">I am an artist and I know that art will not change the world, but artists can and have the ability to show and point things out in a different way.<\/p>\n<p class=\"p22\">This is what my project started in 2005 consists of; a work in progress that I don&#8217;t know when it will end. Since then, every work trip has served me to get closer to some lighthouse that I identify, document and film.<\/p>\n<p class=\"p22\">I selected ten lighthouses from different countries, which for me are emblematic. They are lighthouses that contain a history that has marked the collective unconscious of a people, in some cases of humanity.<\/p>\n<p class=\"p22\">As the project progressed, I discovered not only the location of each lighthouse but also its aesthetic-architectural variety, its significant history and the link with art and poetry that many of its locations generate. Many of these meanings reflect ideas of freedom, of utopias, and I thought of the difficulties that, in the age of generalized technology, human beings still suffer, needing the light of a beacon to make themselves visible and fully understood.<\/p>\n<p class=\"p3\">Today my trips have become visual inquiry, uncertain and sometimes enigmatic investigations, but always marked by the fascination of what the gaze reveals along the way.<\/p>\n<p class=\"p22\">Historically, traveling has always occupied a central place in realities, myths and fictions. The departure, the exile, the adventure; the ancient world shows us from the Egyptians to Homer and my favorite Ulysses the transits of complex plots.<\/p>\n<p class=\"p22\">Sometimes the trips have clues that are difficult to decipher, they are often suspensions in time, testimonies and for me a tool that reveals possible images. Probably the ideal map does not really exist, but there is a sum of situations and sensations that build their own maps for each trip, to finish I choose again a phrase from Kerouac that concludes this text.<\/p>\n<p class=\"p20\" style=\"text-align: center;\"><i>\u00abLife is a foreign country.\u00bb<\/i><\/p>\n<p class=\"p24\"><strong>Matilde Mar\u00edn<\/strong><br \/>\nEssay for the book \u201cDe lo Visual a lo afectivo\u201d<br \/>\nBiblos \/ Culturalia Publishers<br \/>\nBuenos Aires, December 2017<br \/>\n\u201cPracticas artisticas y cientificas en torno a visualidades, desplazamientos y artefactos\u201d<br \/>\nBiblos \/ Culturalia Publishers, 2018<\/p>\n<\/div>\n<\/div>\n<div class=\"pp_accordion_close has_icon\">\n<h3><a href=\"#\"><i class=\"fa fa-file\"><\/i>The Artists and the journeys<\/a><\/h3>\n<div>\n<p class=\"p1\">The theme of travel has been a constant concern in the work of <b>Matilde Mar\u00edn<\/b>. In this reflection, which includes videos and books, photography reveals itself as a recurring and powerful medium, whether it is its own shot or the collection of images found in the media. Aware of the political and social conflicts that journeys go through, the artist works on them in dimensions that range from melancholy to humanitarian tragedy. The first of these records is the <i>Pharus Project<\/i> series, relating to the function of the lighthouse and its abandonment through the use of GPS. The lighthouse is the quintessential object\/guide of one of the most traditional acts of travel: the sea crossing. Today, it is a relic and the rest, a memory of another time. The <i>Tower of Ushuaia <\/i>is an example of this. The Beagle Channel of 2009 cuts the bareness of its structure while a ray of light is still projected on the southernmost channel of our country.<\/p>\n<p class=\"p1\">The series <i>When I Sight the Blue Smoke of Ithaca<\/i>, on the other hand, works on the second register. Starting from photographs of smoke found in the graphic press \u2013some holidays such as fireworks; the most, the result of great conflagrations and catastrophes-, the artist makes a vast photographic series and a video that are the basis for a beautiful book of the same name, with texts by Jos\u00e9 E. Buruc\u00faa and a CD with music composed ad hoc by Marta Lambertini (2012). The title refers to the model of all travelers and their longings \u2013smoke from home in the distance, a sign of returning home- and intersects with other poetic resonances: Cavafis, Jorge Urrutia. It can be a trace of a homeland lost and not always rediscovered, smoke of ruin and threat, a sign of the need for a departure rather than a return. <i>Tharir Square<\/i>, from 2011, is precisely a newspaper reproduction with a photograph of the smoke produced by the massive demonstrations, the consequent repression and the disturbances in this square in Cairo, in the context of the \u201cArab Spring\u201d revolts. Ithaca no longer welcomes the weary traveler.<\/p>\n<p class=\"p1\"><strong>Graciela Sarti<\/strong><br \/>\nExcerpt from the homonymous text \u00abThe Artists and the journeys\u00bb<br \/>\nF.J. Klemm Foundation Publishers, 2019<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<div class=\"two_third \" style=\"\">\n<div class=\"slider_wrapper\" data-autoplay=\"\" data-timer=\"5\">\n<div class=\"flexslider tg_gallery \" data-height=\"750\">\n<ul class=\"slides\">\n<li><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Planisferio_Pharus_web_ByN.jpg\" alt=\"\"\/><\/li>\n<li><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/1_Viaje_Faro-de-Cabo-Virgenes_Matilde-Marin.jpg\" alt=\"\"\/><\/li>\n<li><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/2_Viaje_Faro-Cabo-Virgenes_Matilde-Marin.jpg\" alt=\"\"\/><\/li>\n<li><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/5_Viaje-a-Faro-Macquarie-Lightstation_Matilde-Marin.jpg\" alt=\"\"\/><\/li>\n<li><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Viaje-a-Sydney_Faro-Macquarie-Lightstation_Matilde-Marin.jpg\" alt=\"\"\/><\/li>\n<li><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/8_Viaje_Faro-de-Finisterrae_Matilde-Marin.jpg\" alt=\"\"\/><\/li>\n<li><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/7_Viaje_Faro-de-Finisterrae_Matilde-Marin.jpg\" alt=\"\"\/><\/li>\n<li><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/01_Viaje-a-Guernsey_Marin.jpg\" alt=\"\"\/><\/li>\n<li><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/4_Viaje-a-Faro-de-Victor-Hugo_Guersey_Matilde-Marin.jpg\" alt=\"\"\/><\/li>\n<li><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Copia-de-Viaje-Isla-de-los-Estados_Marin7.jpg\" alt=\"\"\/><\/li>\n<li><img decoding=\"async\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Viaje-Isla-de-los-Estados_Marin1.jpg\" alt=\"\"\/><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"one_third last \" style=\"\">\n<h2>Proyecto Pharus \/ Travel Logs<\/h2>\n<p><strong>Faro de Cabo V\u00edrgenes<\/strong>, Santa Cruz, Argentina, Documented in 2005<br \/>\n<strong>Faro de San Juan de Salvamento<\/strong>, Isla de los Estados, Atl\u00e1ntico Sur, Documented in 2011<br \/>\n<strong>Macquarie Lighstation<\/strong>, Sidney, Australia, Documented in 2007<br \/>\n<strong>Faro de Finisterre<\/strong>, Galicia, Espa\u00f1a, Documented in 2008<br \/>\n<strong>Castle Breakwater Lighthouse<\/strong>, Isla de Guernsey, Gran Breta\u00f1a, Documented in 2010<\/p>\n<hr class=\"thick\"\/>\n<a class=\"button small \" style=\"background-color:#000000 !important;color:#ffffff !important;border:1px solid #000000 !important;\" onclick=\"window.open('https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Proyecto-Pharus-Fichas.pdf', '_blank')\">View and download project sheets<\/a>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\">\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":2675,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5380","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages\/5380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/comments?post=5380"}],"version-history":[{"count":31,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages\/5380\/revisions"}],"predecessor-version":[{"id":5631,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages\/5380\/revisions\/5631"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/media\/2675"}],"wp:attachment":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/media?parent=5380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}