{"id":5458,"date":"2022-01-05T18:28:08","date_gmt":"2022-01-05T18:28:08","guid":{"rendered":"https:\/\/www.matildemarin.com\/publicaciones-2022\/"},"modified":"2025-12-04T19:21:51","modified_gmt":"2025-12-04T19:21:51","slug":"publicaciones-2022-eng","status":"publish","type":"page","link":"https:\/\/www.matildemarin.com\/en\/publicaciones-2022-eng\/","title":{"rendered":"Publications"},"content":{"rendered":"<div  class=\"one withsmallpadding ppb_text\" style=\"padding:10px;\">\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_6339\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/bosquemadura.com\/es\/libros\/11_pharus-ii-landscapes-and-photographic-fictions\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6339\" class=\"size-medium wp-image-6339\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Pharus-II-Bosque-Madura.jpg\" alt=\"\" width=\"300\" height=\"270\" \/><\/a><\/p>\n<p id=\"caption-attachment-6339\" class=\"wp-caption-text\">Pharus II. Paisajes y ficciones fotogr\u00e1ficas. Laura Malosetti Costa, Adriana Musitano, Matilde Marin. Editorial Bosque Madura Publishers, Cordoba, Argentina, 2025<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_6093\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.anba.org.ar\/publicaciones\/publicacion\/?id=64\" rel=\"noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6093\" class=\"size-medium wp-image-6093\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Historia-general-del-Arte-publicaciones-270x300-1.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-6093\" class=\"wp-caption-text\">Historia general del arte en la Argentina. Academia Nacional de Bellas Artes, 2024<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_6095\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.planetadelibros.com.ar\/libro-distopias-y-microutopias\/401877\" rel=\"noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6095\" class=\"size-medium wp-image-6095\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Distopias-y-microutopias-publicaciones-270x300-1.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-6095\" class=\"wp-caption-text\">Distopias y microutop\u00edas. Pr\u00e1cticas de resistencia en el arte del siglo XXI (Elena Oliveras), 2024<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_6091\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/drive.google.com\/file\/d\/1QDbFvmYUiIihS92uNtfxjnqS96K8voO3\/view\" rel=\"noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6091\" class=\"size-medium wp-image-6091\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Libro-de-Artista-02-publicaciones-270x300-1.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-6091\" class=\"wp-caption-text\">Libro de Artista. Objeto de s\u00ed mismo (Matilde Mar\u00edn, Natalia Silberleib). Second edition, 2024<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth last \" style=\"\">\n<div id=\"attachment_5890\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/drive.google.com\/file\/d\/1QDbFvmYUiIihS92uNtfxjnqS96K8voO3\/view\" rel=\"noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5890\" class=\"size-medium wp-image-5890\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Libro-de-Artista-publicaciones-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-5890\" class=\"wp-caption-text\">Libro de Artista. Objeto de s\u00ed mismo (Matilde Mar\u00edn, Natalia Silberleib), 2023<\/p>\n<\/div>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4677\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/bienalsur.org\/es\/page\/catalogos\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4677\" class=\"wp-image-4677 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/Bienal-Sur-publicaciones-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4677\" class=\"wp-caption-text\">Bienal Sur: Otras din\u00e1micas para el arte y la cultura, 2021<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4613\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.planetadelibros.com.ar\/libro-la-metafora-en-el-arte\/332263\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4613\" class=\"wp-image-4613 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/29.2021_La-Metafora-en-el-Arte_Elena-Oliveras-g-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4613\" class=\"wp-caption-text\">La met\u00e1fora en el arte (Fundamentos y manifestaciones en el Siglo XXI), Elena Oliveras, Paid\u00f3s, Buenos Aires, 2021<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4599\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/bosquemadura.publica.la\/library\/publication\/pharus-1627407647\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4599\" class=\"wp-image-4599 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/28.2021_Ebook_Pharus-Bosque-Madura_Cordoba_Matilde-Marin-300x227.jpg\" alt=\"\" width=\"300\" height=\"227\" \/><\/a><\/p>\n<p id=\"caption-attachment-4599\" class=\"wp-caption-text\">Pharus del hemisferio Sur al Norte, Laura Casanovas, Matilde Mar\u00edn, Adriana Musitano, Editorial Bosquemadura Publishers, C\u00f3rdoba, Argentina, 2021<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4597\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/delinfinito.com\/novedades\/publication-matilde-marin-\u00b7-suspended-time\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4597\" class=\"wp-image-4597 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/27.2020_Tiempo-Suspendido_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4597\" class=\"wp-caption-text\">Tiempo Suspendido (Suspended Time), Matilde Mar\u00edn y Adriana Almada, Manuela L\u00f3pez Anaya Publishers, Buenos Aires, 2021<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth last \" style=\"\">\n<div id=\"attachment_4595\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4595\" class=\"size-medium wp-image-4595\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/26.2019_Tapa-catalogo_XIII-Bienal-de-La-Habana_Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/p>\n<p id=\"caption-attachment-4595\" class=\"wp-caption-text\">XIII Havana Biennial, \u201cThe construction of the possible\u201d, Cuba, 2019<\/p>\n<\/div>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4593\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.editorialbiblos.com.ar\/libro\/de-lo-visual-a-lo-afectivo_103797\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4593\" class=\"wp-image-4593 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/25.2018_De-lo-visual-a-lo-afectivo_Marina-Giordano_Editorial-Biblos_Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4593\" class=\"wp-caption-text\">De lo visual a lo afectivo, (pr\u00e1cticas art\u00edsticas y cient\u00edficas en torno a visualidades, desplazamientos y artefactos), coordinated by Mariana Giordano, Biblos \/Culturalia Publishers, Buenos Aires, 2018<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4591\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/issuu.com\/artefundosde\/docs\/osde-catalogo_matilde_marin_origina\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4591\" class=\"wp-image-4591 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/24.2017_Arqueologa-de-si-misma_Fundacion-Osde_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4591\" class=\"wp-caption-text\">Arque\u00f3loga de s\u00ed misma, Matilde Mar\u00edn, Fundaci\u00f3n OSDE Espacio de Arte, 2017<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4589\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/untref.edu.ar\/muntref\/migraciones\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4589\" class=\"wp-image-4589 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/23.2015_Migraciones-en-el-Arte-Contemporaneo_Muntref_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4589\" class=\"wp-caption-text\">Migraciones en el arte contempor\u00e1neo, MUNTREF, Buenos Aires, 2015<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4587\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.matildemarin.com\/en\/portfolios\/artist-books-the-imaginary-journey-kasimir-malevich\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4587\" class=\"wp-image-4587 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/22.2015_El-viaje-imaginario-de-Kasimir-Malevich-Matilde-Marin-y-Jose-emilio-Burucua-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4587\" class=\"wp-caption-text\">El viaje imaginario de Kasimir Malevich\u201d, Jos\u00e9 Emilio Burucua, Matilde Mar\u00edn, published by the artist, Buenos Aires, 2015<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth last \" style=\"\">\n<div id=\"attachment_4585\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.arte-online.net\/Notas\/Matilde_Marin_Lo_que_hay_frente_a_mi\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4585\" class=\"wp-image-4585 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/21.2015_Lo-que-hay-frente-a-mi_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4585\" class=\"wp-caption-text\">Lo que hay frente a mi, Matilde Mar\u00edn, Laeticia Mello, Mercedes Urquiza, Mecenazgo, Buenos Aires, 2015<\/p>\n<\/div>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4583\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/fola.com.ar\/marin-matilde\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4583\" class=\"wp-image-4583 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/20.2015_Fola_Muestra-inaugural_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4583\" class=\"wp-caption-text\">FOLA, exhibition catalogue, Buenos Aires, 2015<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4581\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/contrapunto.cl\/teoria-e-historia-del-arte\/1499-entender-el-arte-contemporaneo.html\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4581\" class=\"wp-image-4581 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/19.2015_Arte-Contemporaneo_Ready-Becker-Editorial-Contrapunto_Chile_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4581\" class=\"wp-caption-text\">Arte Contempor\u00e1neo, Silvia Ready y B\u00e1rbara Becker, Contrapunto Publishers, Santiago de Chile, 2015<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4579\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.matildemarin.com\/en\/portfolios\/libros-de-artista-cuando-divise-el-humo-azul-de-itaca-2\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4579\" class=\"wp-image-4579 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/18.2012_-Cuando-divise-el-humo-azul-de-Itaca_Marta-LambertiniMatilde-marinJose-Emilio-Burucua-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4579\" class=\"wp-caption-text\">Cuando divise el humo azul de \u00cdtaca, Jos\u00e9 Emilio Burucua, Matilde Mar\u00edn, published by the artist, 2012<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4577\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.arte-online.net\/Notas\/Proyecto_Pharus\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4577\" class=\"wp-image-4577 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/17.2011_Proyecto-Pharus_Patricia-Ready_Chile_Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4577\" class=\"wp-caption-text\">Proyecto Pharus, Matilde Mar\u00edn, Patricia Ready Gallery, Santiago de Chile, 2011<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth last \" style=\"\">\n<div id=\"attachment_4575\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.malba.org.ar\/en\/evento\/arte-argentino-actual-en-la-coleccion-de-malba-obras-1989-2010\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4575\" class=\"wp-image-4575 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/16.2011_Arte-Argentino-Actual-en-la-Coleccion-de-Malba_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4575\" class=\"wp-caption-text\">Arte argentino actual en la colecci\u00f3n de MALBA, published by Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires, 2011<\/p>\n<\/div>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4573\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.adk.berlin\/de\/projekte\/2010\/argentinien\/katalog.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4573\" class=\"wp-image-4573 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/15.2010.Realidad-y-Utopia-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4573\" class=\"wp-caption-text\">Realidad y Utop\u00eda (200 a\u00f1os de arte argentino &#8211; Una visi\u00f3n del presente), Diana Wechsler, Akademie der K\u00fcnste, Berlin, 2010<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4571\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vimeo.com\/641651041 \" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4571\" class=\"wp-image-4571 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/14.2009_Revista-Todavia-22_Fundacion-OSDE_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4571\" class=\"wp-caption-text\">Revista Todav\u00eda, Matilde Mar\u00edn, Fundaci\u00f3n OSDE, 2009<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4569\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.fundacionfjklemm.org\/Publicaciones\/Catalogos\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4569\" class=\"wp-image-4569 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/13.2009_La-accion-y-su-registro_Fundacion-Klemm_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4569\" class=\"wp-caption-text\">La acci\u00f3n y su registro, Adriana Lauria, Fundaci\u00f3n F.J. Klemm, Buenos Aires, 2009<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4567\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/issuu.com\/centro-cultural-recoleta\/docs\/matilde-marin\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4567\" class=\"wp-image-4567 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/12.2008_De-Natura-zona-alterada_Sala-Cronopios_Centro-Cultural-Recoleta_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4567\" class=\"wp-caption-text\">De Natura (zona alterada) Matilde Mar\u00edn, texts by Mercedes Casanegra, published by Sala Cronopios, Centro Cultural Recoleta, Buenos Aires, 2008<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth last \" style=\"\">\n<div id=\"attachment_4565\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/issuu.com\/artefundosde\/docs\/pampa_ciudad_y_suburbio\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4565\" class=\"wp-image-4565 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/11.2007_Pampa-Ciudad-y-Suburbio_Fundacion-Osde_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4565\" class=\"wp-caption-text\">Pampa, Ciudad, Suburbio, Laura Malosetti Costa, Fundaci\u00f3n OSDE, Buenos Aires, 2007<\/p>\n<\/div>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4563\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/issuu.com\/fundacionalon\/docs\/marin_alon-completo-01\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4563\" class=\"wp-image-4563 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/10.2006_Desplazamientos_Fundacion-Alon_Buenos-Aires_Matilde-Marin-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4563\" class=\"wp-caption-text\">Desplazamientos, Matilde Mar\u00edn, Fundaci\u00f3n Al\u00f3n, Buenos Aires, 2006<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4561\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vimeo.com\/641646669\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4561\" class=\"wp-image-4561 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/09.2006_Bricolage-Contemporaneo_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4561\" class=\"wp-caption-text\">Bricolaje Contempor\u00e1neo, Matilde Mar\u00edn, texts by Adriana Laur\u00eda, Teresa Macri, Pastor Mellado, published by the artist, Buenos Aires, 2006<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4559\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vimeo.com\/641603124\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4559\" class=\"wp-image-4559 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/08.2003_El-camino-hacia-la-imagen_Museo-de-arte-moderno-de-Cuenca_Museo-de-la-Ciudad-de-Quito_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4559\" class=\"wp-caption-text\">El camino hacia la imagen, Matilde Mar\u00edn, VII International Biennial of Painting, Cuenca, Ecuador, 2003<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4557\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vimeo.com\/606635635\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4557\" class=\"wp-image-4557 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/07.2003_El-camino-hacia-la-imagen_Buenos-Aires_Matilde-Marin-300x229.jpg\" alt=\"\" width=\"300\" height=\"229\" \/><\/a><\/p>\n<p id=\"caption-attachment-4557\" class=\"wp-caption-text\">El camino hacia la imagen, Matilde Mar\u00edn, texts by Adriana Laur\u00eda, published by the artist, Buenos Aires, 2003<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth last \" style=\"\">\n<div id=\"attachment_4555\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vimeo.com\/641602926\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4555\" class=\"wp-image-4555 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/06.2002_Escenarios_Centro-Cultural-Recoleta_catalogo_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4555\" class=\"wp-caption-text\">Escenarios, Matilde Mar\u00edn, Centro Cultural Recoleta, Buenos Aires, 2002<\/p>\n<\/div>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4553\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vimeo.com\/641602708\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4553\" class=\"wp-image-4553 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/05.2001_VII-Bienal-Internacional-de-Pintura_Catalogo_Cuenca_2001_Ecuador_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4553\" class=\"wp-caption-text\">VII International Biennial of Painting, Cuenca, Ecuador, 2001<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4551\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vimeo.com\/606636086\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4551\" class=\"wp-image-4551 size-medium\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/04.2000_Juego-de-Manos_Museo-Nacional-de-Bellas-Artes-Chile_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/a><\/p>\n<p id=\"caption-attachment-4551\" class=\"wp-caption-text\">Juego de Manos, Matilde Mar\u00edn, Museo Nacional de Bellas Artes de Santiago de Chile, 2000<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4549\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4549\" class=\"size-medium wp-image-4549\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/03.1999_Juego-de-Manos_Museo-Torres-Garcia__Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/p>\n<p id=\"caption-attachment-4549\" class=\"wp-caption-text\">Juego de Manos, Matilde Mar\u00edn, Museo Torres Garc\u00eda, Montevideo, Uruguay, 1999<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth \" style=\"\">\n<div id=\"attachment_4547\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4547\" class=\"size-medium wp-image-4547\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/02.1996_Incisiones-y-Fragmentos_Jorge-Lopez-Anaya_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/p>\n<p id=\"caption-attachment-4547\" class=\"wp-caption-text\">Incisiones &#038; Fragmentos, Matilde Mar\u00edn, texts by Jorge L\u00f3pez Anaya, Santiago de Chile, 1996<\/p>\n<\/div>\n<\/div>\n<div class=\"one_fifth last \" style=\"\">\n<div id=\"attachment_4545\" style=\"width: 280px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4545\" class=\"size-medium wp-image-4545\" src=\"https:\/\/www.matildemarin.com\/sitio\/wp-content\/uploads\/01.1996_En-la-palma-de-la-mano_Artistas-de-los-80_Victoria-Verlichak_Studio-Graf_Matilde-Marin-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" \/><\/p>\n<p id=\"caption-attachment-4545\" class=\"wp-caption-text\">En la palma de la mano (Artistas de los \u201980), compiled by Victoria Verlichak, Buenos Aires, 1996<\/p>\n<\/div>\n<\/div>\n<p><br class=\"clear\"\/><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5458","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages\/5458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/comments?post=5458"}],"version-history":[{"count":17,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages\/5458\/revisions"}],"predecessor-version":[{"id":6343,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/pages\/5458\/revisions\/6343"}],"wp:attachment":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/media?parent=5458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}