{"id":252,"date":"2014-02-17T10:30:06","date_gmt":"2014-02-17T10:30:06","guid":{"rendered":"http:\/\/matildemarin.com\/sitio\/?p=252"},"modified":"2025-12-03T23:32:26","modified_gmt":"2025-12-03T23:32:26","slug":"solo-exhibitions","status":"publish","type":"post","link":"https:\/\/www.matildemarin.com\/en\/solo-exhibitions\/","title":{"rendered":"Solo Exhibitions"},"content":{"rendered":"

2025<\/h3>\n

Pharus Project. Poetics of the Visible<\/em>. MAD – Taranco Palace, Montevideo, Uruguay<\/p>\n

2024<\/h3>\n

ARCO Madrid & ArtsLibris, Speakers\u2019corner space presents its publication \u201cArtist\u2019s Book \u2013 Object of Itself\u201d<\/p>\n

Invited to the Foreign Artists Program by the Catholic University of Chile.<\/p>\n

2022<\/span><\/h3>\n

25FPS MATILDE MAR\u00cdN<\/span><\/i>, Del Infinito Gallery Buenos Aires, Argentina<\/span><\/p>\n

Project <\/span>Ice Fields<\/span><\/i> in progress<\/span><\/p>\n

2020<\/span><\/h3>\n

Paradisus<\/span><\/i> Intervention, Subway, Undersecretary of Cultural Management, Ministry of Culture GCBA, Buenos Aires, Argentina<\/span><\/p>\n

Artist-in-Residence 2020, <\/span>Travel Log: A fantastic itinerary across the Atlantic \u2013 on the footsteps of Jules Verne<\/span><\/i>, (Photographic Project), Institut d’\u00e9tudes avanc\u00e9es de Nantes, France<\/span><\/p>\n

2019<\/span><\/h3>\n

When I Sight the Blue Smoke of Ithaca<\/span><\/i>, Del Infinito Arte Gallery, Buenos Aires, Argentina<\/span><\/p>\n

2017<\/span><\/h3>\n

Archaeologist of herself<\/span><\/i> (anthological) Curator: Adriana Almada, Fundaci\u00f3n OSDE, Art Space, Buenos Aires, Argentina<\/span><\/p>\n

Solo Show Photo Lima, Peru<\/span><\/p>\n

Artists\u2019 Book<\/span><\/i>, Arco, Madrid, Spain<\/span><\/p>\n

2016<\/span><\/h3>\n

Indeterminate Landscapes,<\/span><\/i> Patricia Ready Gallery, Santiago de Chile, Chile<\/span><\/p>\n

2015<\/span><\/h3>\n

The Imaginary Journey of Kazimir Malevich<\/span><\/i>, Solo Show, Lima Photo, Lima, Peru<\/span><\/p>\n

The Persistence of Art,<\/span><\/i> Can\u00e9m Valencia Gallery, Spain<\/span><\/p>\n

Indeterminate Landscapes,<\/span><\/i> Del Infinito Gallery, Buenos Aires, Argentina<\/span><\/p>\n

2014<\/span><\/h3>\n

A continuous line, Themes on the Landscape<\/span><\/i>, National Museum of Fine Arts, Neuquen, Argentina<\/span><\/p>\n

Art as word,<\/span><\/i> Sicart Gallery, Barcelona, Spain<\/span><\/p>\n

2013<\/span><\/h3>\n

Two contrasts,<\/span><\/i> Del Infinito Arte Gallery, Buenos Aires, Argentina<\/span><\/p>\n

2012<\/span><\/h3>\n

When I Sight the Blue Smoke of Ithaca,<\/span><\/i> Experimental Center of the Teatro Col\u00f3n, Buenos Aires, Argentina<\/span><\/p>\n

Pharus Project,<\/span><\/i> Patricia Ready Gallery, Santiago, Chile<\/span><\/p>\n

Itinerary,<\/span><\/i> Photographs, Argentine Consulate, New York, USA<\/span><\/p>\n

2010<\/span><\/h3>\n

Paradisus,<\/span><\/i> photographic installation, Patricia Ready Gallery, Santiago, Chile<\/span><\/p>\n

Migrations, <\/span><\/i>Prometheus Room, Recoleta Cultural Center, Buenos Aires, Argentina<\/span><\/p>\n

2009<\/span><\/h3>\n

Itiner\u00e1rios Visuales<\/span><\/i>, Museo de Arte Contempor\u00e2nea da Universidade de S\u00e3o Paulo, Brazil<\/span><\/p>\n

De Natura (Altered Zone),<\/span><\/i> a touring anthological exhibition sponsored by Fundaci\u00f3n Andreani and CEC (Centro de Expresiones Contempor\u00e1neas), Rosario, Argentina. Traveled to: MAC, Museum of Contemporary Art, Salta, Argentina Provincial Museum of Fine Arts \u201cDr. Juan Ram\u00f3n Vidal\u201d, Corrientes, Argentina<\/span><\/p>\n

2008<\/span><\/h3>\n

De Natura (Altered Zone),<\/span><\/i>\u00a0 anthological exhibition, Sala Cronopios Room, Recoleta Cultural Center, Buenos Aires, Argentina<\/span><\/p>\n

Itineraries<\/span><\/i>, AFA Gallery, Santiago, Chile \u201c636\u201d, MAC, Santiago, Chile<\/span><\/p>\n

2007<\/span><\/h3>\n

Contemporary Bricolage, projects in public spaces, Live Our City Cycle, Buenos Aires, Argentina<\/span><\/p>\n

Geographies, a special project for Fundaci\u00f3n Ecocentro, Puerto Madryn, Argentina<\/span><\/p>\n

Contemporary Bricolage,<\/span><\/i> Museum of Contemporary Art, Santa Cruz de la Sierra, Bolivia<\/span><\/p>\n

2006<\/span><\/h3>\n

Displacements,<\/span><\/i> Alon Foundation, Buenos Aires, Argentina<\/span><\/p>\n

Involuntary Landscapes, Casas Riegner Gallery, Bogota, Colombia<\/span><\/p>\n

The Tremor of Poetry<\/span><\/i>, Castelv\u00ed House, Asuncion, Paraguay<\/span><\/p>\n

2005<\/span><\/h3>\n

Contemporary Bricolage<\/span><\/i>, presentation of the project, book and videos, MALBA, Buenos Aires, Argentina<\/span><\/p>\n

The Nomadic Work of Matilde Marin<\/span><\/i>, School of Arts & Performing Arts, State University of New York, New Paltz, USA<\/span><\/p>\n

Atmospheres,<\/span><\/i> presentation of the project in the Straits of Magellan, Patagonia, Argentina<\/span><\/p>\n

2003<\/span><\/h3>\n

A question of intensity,<\/span><\/i> Lucia de la Puente Gallery, Lima, Peru<\/span><\/p>\n

The path to the image<\/span><\/i>, Museum of Modern Art, Cuenca, Ecuador<\/span><\/p>\n

The path to the image<\/span><\/i>, Museum of the City, Quito, Ecuador<\/span><\/p>\n

2002<\/span><\/h3>\n

Initial Games,<\/span><\/i> Diners Gallery, Bogota, Colombia<\/span><\/p>\n

Scenarios,<\/span><\/i> Recoleta Cultural Center, Buenos Aires, Argentina<\/span><\/p>\n

2001<\/span><\/h3>\n

Initial Games, <\/span><\/i>Casas Riegner Gallery, Miami, USA<\/span><\/p>\n

Xogos de Mans, <\/span><\/i>video installation, Lu\u00eds Seoane Foundation, Galicia, Spain<\/span><\/p>\n

Initial Games,<\/span><\/i> Del Infinito Arte Gallery, Buenos Aires, Argentina<\/span><\/p>\n

2000<\/span><\/h3>\n

Playing Hands<\/span><\/i>, video installation, Museum of Fine Arts, Santiago, Chile<\/span><\/p>\n

Real Utopias, Dream and Reason of Matilde Mar\u00edn,<\/span><\/i> Casa de las Am\u00e9ricas, Havana, Cuba<\/span><\/p>\n

1999<\/span><\/h3>\n

Work on Paper 1989\/1999<\/span><\/i>, National Gallery of Contemporary Art, Costa Rica<\/span><\/p>\n

Playing Hands<\/span><\/i>, video installation, Torres Garc\u00eda Museum, Montevideo, Uruguay<\/span><\/p>\n

1998<\/span><\/h3>\n

Incisions & Fragments,<\/span><\/i> Manggha, Center for Contemporary Art, Krakow, Poland<\/span><\/p>\n

The Promised Land,<\/span><\/i> The Gallery, Quito, Ecuador<\/span><\/p>\n

1997<\/span><\/h3>\n

Pap\u00e9is,<\/span><\/i> Museu de Arte Contempor\u00e2nea, S\u00e3o Paulo, Brazil<\/span><\/p>\n

Ryty & Okruchy,<\/span><\/i> Muzeum \u0141azienki, Stara Kordegarda gallery, BWA gallery, Warsaw, Poland<\/span><\/p>\n

Ryty & Okruchy,<\/span><\/i> Muzeum Ksi\u0105\u017cki Artystycznej, \u0141odzi, Warsaw, Poland<\/span><\/p>\n

The Promised Land,<\/span><\/i> Borges Cultural Center, Buenos Aires, Argentina<\/span><\/p>\n

1996<\/span><\/h3>\n

Fragments,<\/span><\/i> Museum of Contemporary Art, Porto Alegre, Brazil<\/span><\/p>\n

1994<\/span><\/h3>\n

Presentation of the artist ‘s book <\/span>Myths of Creation<\/span><\/i>, Luis \u00c1ngel Arango Library, Bogota, Colombia<\/span><\/p>\n

Graphic, Sextante Gallery, Bogota, Colombia<\/span><\/p>\n

1995<\/span><\/h3>\n

O papel como um Meio,<\/span><\/i> Museu da Gravura, Curitiba, Brazil<\/span><\/p>\n

1\/1 Variable Editions<\/span><\/i>, Filo Art Space, Buenos Aires, Argentina<\/span><\/p>\n

1993<\/span><\/h3>\n

Paper as a Medium,<\/span><\/i> National Endowment for the Arts, Buenos Aires, Argentina<\/span><\/p>\n

1992<\/span><\/h3>\n

Paper as a Medium<\/span><\/i>, Art et Arte, Montreal, Canada<\/span><\/p>\n

1990<\/span><\/h3>\n

From the Wall<\/span><\/i>, Chamber of Commerce Gallery, Medellin, Colombia<\/span><\/p>\n

Matilde Mar\u00edn: Graphic Work,<\/span><\/i> Banco Patricios Foundation, Buenos Aires, Argentina<\/span><\/p>\n

Matilde Mar\u00edn: Engravings,<\/span><\/i> Austral Gallery, La Plata, Buenos Aires, Argentina<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Selection<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-252","post","type-post","status-publish","format-standard","hentry","category-biography"],"_links":{"self":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/comments?post=252"}],"version-history":[{"count":10,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/252\/revisions"}],"predecessor-version":[{"id":6297,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/252\/revisions\/6297"}],"wp:attachment":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/media?parent=252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/categories?post=252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/tags?post=252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}