Narrar en presente<\/em>. Fotogaler\u00eda Sara Facio, Teatro Nacional San Mart\u00edn, Buenos Aires, Argentina. Pharus Project. Poetics of the Visible<\/em>. MAD – Taranco Palace, Montevideo, Uruguay.<\/p>\n ARCO Madrid & ArtsLibris, Speakers\u2019corner space presents its publication \u201cArtist\u2019s Book \u2013 Object of Itself\u201d 25FPS MATILDE MAR\u00cdN<\/i>, Del Infinito Gallery Buenos Aires, Argentina. Paradisus<\/i> Intervention, Subway, Undersecretary of Cultural Management, Ministry of Culture GCBA, Buenos Aires, Argentina. When I Sight the Blue Smoke of Ithaca<\/i>, Del Infinito Arte Gallery, Buenos Aires, Argentina.<\/p>\n Archaeologist of herself<\/i> (anthological) Curator: Adriana Almada, Fundaci\u00f3n OSDE, Art Space, Buenos Aires, Argentina. Indeterminate Landscapes,<\/i> Patricia Ready Gallery, Santiago de Chile, Chile.<\/p>\n The Imaginary Journey of Kazimir Malevich<\/i>, Solo Show, Lima Photo, Lima, Peru. A continuous line, Themes on the Landscape<\/i>, National Museum of Fine Arts, Neuquen, Argentina. Two contrasts,<\/i> Del Infinito Arte Gallery, Buenos Aires, Argentina.<\/p>\n When I Sight the Blue Smoke of Ithaca,<\/i> Experimental Center of the Teatro Col\u00f3n, Buenos Aires, Argentina. Paradisus,<\/i> photographic installation, Patricia Ready Gallery, Santiago, Chile. Itiner\u00e1rios Visuales<\/i>, Museo de Arte Contempor\u00e2nea da Universidade de S\u00e3o Paulo, Brazil. De Natura (Altered Zone),<\/i>\u00a0 anthological exhibition, Sala Cronopios Room, Recoleta Cultural Center, Buenos Aires, Argentina. Contemporary Bricolage, projects in public spaces, Live Our City Cycle, Buenos Aires, Argentina. Displacements,<\/i> Alon Foundation, Buenos Aires, Argentina. Contemporary Bricolage<\/i>, presentation of the project, book and videos, MALBA, Buenos Aires, Argentina. A question of intensity,<\/i> Lucia de la Puente Gallery, Lima, Peru. Initial Games,<\/i> Diners Gallery, Bogota, Colombia Initial Games, <\/i>Casas Riegner Gallery, Miami, USA. Playing Hands<\/i>, video installation, Museum of Fine Arts, Santiago, Chile. Work on Paper 1989\/1999<\/i>, National Gallery of Contemporary Art, Costa Rica. Incisions & Fragments,<\/i> Manggha, Center for Contemporary Art, Krakow, Poland Pap\u00e9is,<\/i> Museu de Arte Contempor\u00e2nea, S\u00e3o Paulo, Brazil. Fragments,<\/i> Museum of Contemporary Art, Porto Alegre, Brazil.<\/p>\n Presentation of the artist ‘s book Myths of Creation<\/i>, Luis \u00c1ngel Arango Library, Bogota, Colombia. O papel como um Meio,<\/i> Museu da Gravura, Curitiba, Brazil. Paper as a Medium,<\/i> National Endowment for the Arts, Buenos Aires, Argentina.<\/p>\n Paper as a Medium<\/i>, Art et Arte, Montreal, Canada.<\/p>\n From the Wall<\/i>, Chamber of Commerce Gallery, Medellin, Colombia. Selection<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-252","post","type-post","status-publish","format-standard","hentry","category-biography"],"_links":{"self":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/comments?post=252"}],"version-history":[{"count":12,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/252\/revisions"}],"predecessor-version":[{"id":6401,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/252\/revisions\/6401"}],"wp:attachment":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/media?parent=252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/categories?post=252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/tags?post=252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFotografiando la Distancia \/ Photographing Distance<\/em>. Red Sea Museum, Jeddah, Saudi Arabia.<\/p>\n2025<\/h3>\n
2024<\/h3>\n
\nInvited to the Foreign Artists Program by the Catholic University of Chile.<\/p>\n2022<\/h3>\n
\nProject Ice Fields<\/i> in progress<\/p>\n2020<\/h3>\n
\nArtist-in-Residence 2020, Travel Log: A fantastic itinerary across the Atlantic \u2013 on the footsteps of Jules Verne<\/i>, (Photographic Project), Institut d’\u00e9tudes avanc\u00e9es de Nantes, France.<\/p>\n2019<\/h3>\n
2017<\/h3>\n
\nSolo Show Photo Lima, Peru.
\nArtists\u2019 Book<\/i>, Arco, Madrid, Spain.<\/p>\n2016<\/h3>\n
2015<\/h3>\n
\nThe Persistence of Art,<\/i> Can\u00e9m Valencia Gallery, Spain.
\nIndeterminate Landscapes,<\/i> Del Infinito Gallery, Buenos Aires, Argentina.<\/p>\n2014<\/h3>\n
\nArt as word,<\/i> Sicart Gallery, Barcelona, Spain.<\/p>\n2013<\/h3>\n
2012<\/h3>\n
\nPharus Project,<\/i> Patricia Ready Gallery, Santiago, Chile.
\nItinerary,<\/i> Photographs, Argentine Consulate, New York, USA.<\/p>\n2010<\/h3>\n
\nMigrations, <\/i>Prometheus Room, Recoleta Cultural Center, Buenos Aires, Argentina.<\/p>\n2009<\/h3>\n
\nDe Natura (Altered Zone),<\/i> a touring anthological exhibition sponsored by Fundaci\u00f3n Andreani and CEC (Centro de Expresiones Contempor\u00e1neas), Rosario, Argentina. Traveled to: MAC, Museum of Contemporary Art, Salta, Argentina Provincial Museum of Fine Arts \u201cDr. Juan Ram\u00f3n Vidal\u201d, Corrientes, Argentina.<\/p>\n2008<\/h3>\n
\nItineraries<\/i>, AFA Gallery, Santiago, Chile \u201c636\u201d, MAC, Santiago, Chile.<\/p>\n2007<\/h3>\n
\nGeographies, a special project for Fundaci\u00f3n Ecocentro, Puerto Madryn, Argentina.
\nContemporary Bricolage,<\/i> Museum of Contemporary Art, Santa Cruz de la Sierra, Bolivia.<\/p>\n2006<\/h3>\n
\nInvoluntary Landscapes, Casas Riegner Gallery, Bogota, Colombia.
\nThe Tremor of Poetry<\/i>, Castelv\u00ed House, Asuncion, Paraguay.<\/p>\n2005<\/h3>\n
\nThe Nomadic Work of Matilde Marin<\/i>, School of Arts & Performing Arts, State University of New York, New Paltz, USA.
\nAtmospheres,<\/i> presentation of the project in the Straits of Magellan, Patagonia, Argentina.<\/p>\n2003<\/h3>\n
\nThe path to the image<\/i>, Museum of Modern Art, Cuenca, Ecuador.
\nThe path to the image<\/i>, Museum of the City, Quito, Ecuador.<\/p>\n2002<\/h3>\n
\nScenarios,<\/i> Recoleta Cultural Center, Buenos Aires, Argentina<\/p>\n2001<\/h3>\n
\nXogos de Mans, <\/i>video installation, Lu\u00eds Seoane Foundation, Galicia, Spain.
\nInitial Games,<\/i> Del Infinito Arte Gallery, Buenos Aires, Argentina.<\/p>\n2000<\/h3>\n
\nReal Utopias, Dream and Reason of Matilde Mar\u00edn,<\/i> Casa de las Am\u00e9ricas, Havana, Cuba.<\/p>\n1999<\/h3>\n
\nPlaying Hands<\/i>, video installation, Torres Garc\u00eda Museum, Montevideo, Uruguay.<\/p>\n1998<\/h3>\n
\nThe Promised Land,<\/i> The Gallery, Quito, Ecuador<\/p>\n1997<\/h3>\n
\nRyty & Okruchy,<\/i> Muzeum \u0141azienki, Stara Kordegarda gallery, BWA gallery, Warsaw, Poland.
\nRyty & Okruchy,<\/i> Muzeum Ksi\u0105\u017cki Artystycznej, \u0141odzi, Warsaw, Poland.
\nThe Promised Land,<\/i> Borges Cultural Center, Buenos Aires, Argentina.<\/p>\n1996<\/h3>\n
1994<\/h3>\n
\nGraphic, Sextante Gallery, Bogota, Colombia.<\/p>\n1995<\/h3>\n
\n1\/1 Variable Editions<\/i>, Filo Art Space, Buenos Aires, Argentina.<\/p>\n1993<\/h3>\n
1992<\/h3>\n
1990<\/h3>\n
\nMatilde Mar\u00edn: Graphic Work,<\/i> Banco Patricios Foundation, Buenos Aires, Argentina.
\nMatilde Mar\u00edn: Engravings,<\/i> Austral Gallery, La Plata, Buenos Aires, Argentina.<\/p>\n","protected":false},"excerpt":{"rendered":"