{"id":256,"date":"2014-02-17T10:20:46","date_gmt":"2014-02-17T10:20:46","guid":{"rendered":"http:\/\/matildemarin.com\/sitio\/?p=256"},"modified":"2025-12-04T12:23:21","modified_gmt":"2025-12-04T12:23:21","slug":"group-exhibitions","status":"publish","type":"post","link":"https:\/\/www.matildemarin.com\/en\/group-exhibitions\/","title":{"rendered":"Group Exhibitions"},"content":{"rendered":"<h3>2025<\/h3>\n<p><em>Secret Museum. From the Reserve to the Gallery<\/em>. National Museum of Fine Arts, Argentina<\/p>\n<p><em>Puente A\u00e9reo 4<\/em>. UCA Arts Pavilion, Buenos Aires, Argentina<\/p>\n<p><em>Pangue<\/em>, Video Art Festival. AAL Museum, Chile<\/p>\n<p><em>Alternate Currents. MARIN-PAKSA<\/em>. Galer\u00eda Del Infinito, Buenos Aires, Argentina<\/p>\n<p><em>A three-voice viewing. Video collections from the CAM Museum<\/em>, MAC Panama, and Bienalsur<\/p>\n<h3>2024<\/h3>\n<p><em>POSVERSO<\/em>, International Biennial of Experimental Poetry of Argentina, Jun\u00edn, Buenos Aires, Argentina<\/p>\n<p><em>WEAVING IDENTITIES. DIALOGUES, TRACES AND FUTURE<\/em>, Arte Al L\u00edmite Museum, Panquehue, Chile<\/p>\n<p><em>Contemporary Graphic Arts of Argentina<\/em>, IDB Art Gallery and Centro de Edici\u00f3n, Washington, United States<\/p>\n<p><span style=\"font-weight: 400;\"><em>\u00bfHow much does love weigh?<\/em> Curator Daniel Fischer, Recoleta Cultural Center. CABA, Argentina<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Artist book. Experiences and explorations<\/em>, Curator Jorge Padilla, Espacio Vilches, Art Faculty UC, Santiago, Chile<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Signs in the landscape<\/em>, Curator Diana Wechsler, BIENALSUR, Banco de Brasil Cultural Center, R\u00edo de Janeiro, Brasil<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Connecting art and politics through the eye of the collecto<\/em>r, Curators Ana Mar\u00eda Matthei, Elisa Massardo &amp; Marisa Caichiolo, La Neomudejar Museum, Madrid, Espa\u00f1a<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">2023<\/span><\/h3>\n<p><span style=\"font-weight: 400;\"><em>Indefinit<\/em>, Del Infinito Gallery, CABA, Argentina<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Signs in the landscape<\/em>, Curator Diana Wechsler, BIENALSUR, Banco de Brasil Cultural Center, San Pablo, Brasil.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Signs in the landscape<\/em>, Curator Diana Wechsler, BIENALSUR, Banco de Brasil Cultural Center, Brasilia, Brasil.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Gesture. A possible collection<\/em>, Curators Diana Wechsler &amp; Matilde Mar\u00edn, BIENALSUR, Visual Arts National Museum, Montevideo, Uruguay<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Brief History of Eternity<\/em>, Curator Daniel Fischer, Recoleta Cultural Center, CABA, Argentina<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Eye contact<\/em>, Usina del arte, CABA, Argentina<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Labyrinths in Corrientes<\/em>, Curator\u00a0 Julio Sanchez, Casa del Parque Camba Cu\u00e1, Corrientes, Argentina<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">2022<\/span><\/h3>\n<p><span style=\"font-weight: 400;\"><em>PRINTERS WOMEN. In the line of idea and image<\/em>, Argentine Deputies and National Academy of Fine Arts, CABA, Argentina<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Geumgang Nature Art Biennale 2022<\/em>. Video Exhibition. Rep\u00fablica de Corea.<\/span><\/p>\n<h3>2021<\/h3>\n<p><i><span style=\"font-weight: 400;\">Art in Play, <\/span><\/i><span style=\"font-weight: 400;\">Curated by Rodrigo Alonso, Proa Foundation, Buenos Aires, Argentina.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Group Show 2021<\/span><\/i><span style=\"font-weight: 400;\">, Galer\u00eda Del Infinito, Buenos Aires, Argentina.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Transformation: The Graphic in Overflow<\/span><\/i><span style=\"font-weight: 400;\">, Curated by Silvia Dolinko \u2013 Cristina Blanco, National Museum of Engraving, Buenos Aires, Argentina.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Symbology of artistic practices on a planet in emergency<\/span><\/i><span style=\"font-weight: 400;\">, Curator Valeria Gonz\u00e1lez, Kirchner Cultural Center, Buenos Aires, Argentina.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Biennial SUR, KM 646.3,<\/span><i><span style=\"font-weight: 400;\"> Landscape in focus, looks from the present, <\/span><\/i><span style=\"font-weight: 400;\">Diana Wechsler Curatorship, Emilio Caraffa Museum, C\u00f3rdoba, Argentina.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Biennial SUR, KM 12843, <\/span><i><span style=\"font-weight: 400;\">Echoes: A world between the analogical and the virtual<\/span><\/i><span style=\"font-weight: 400;\">, Curatorship Diana Wechsler, Jax District, Riyadh, Saudi Arabia.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Biennale SUR, KM 12009, <\/span><i><span style=\"font-weight: 400;\">Echoes. A world between the analogical and the virtual,<\/span><\/i><span style=\"font-weight: 400;\"> Curated by Diana Wechsler, Qasr Khuzam, Jeddah, Saudi Arabia.<\/span><\/p>\n<h3>2020<\/h3>\n<p><i><span style=\"font-weight: 400;\">Of Confines and Confinements<\/span><\/i><span style=\"font-weight: 400;\">, Curated by Katya Cazar, Cuenca Biennial, Cuenca, Ecuador [Online].<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Contemporary notes to an exhibition. Reflections on the exhibition In the Landscape,<\/span><\/i><span style=\"font-weight: 400;\"> Curated by Diana Weschler, Mir\u00e1 MUNTREF, Museum of the National University of Tres de Febrero, Buenos Aires, Argentina [Online].<\/span><\/p>\n<h3>2019<\/h3>\n<p><i><span style=\"font-weight: 400;\">Artists and Travels<\/span><\/i><span style=\"font-weight: 400;\">, Graciela Sarti Curator, Jorge Federico Klemm Foundation, Buenos Aires, Argentina.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Art and Territory<\/span><\/i><span style=\"font-weight: 400;\"> &#8211; South Biennial, Curated by Diana Weschler, Fuegian Museum of Art (MFA) &#8211; Yaganes Cultural Center, R\u00edo Grande, Tierra del Fuego, Argentina; Museum of Contemporary Art of R\u00edo Grande, Ushuaia, Argentina; North American Peruvian Cultural Institute, Lima Peru.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">The Construction of the Possible<\/span><\/i><span style=\"font-weight: 400;\"> &#8211; XIII Havana Biennial, Margarita S\u00e1nchez Prieto Curatorship, Wilfredo Lam Center, Havana, Cuba.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Southern Stars: An Exploration of Latin American Art<\/span><\/i><span style=\"font-weight: 400;\">, Curated by Valentina Locatelli, Art Paris, Paris, France.<\/span><\/p>\n<h3>2018<\/h3>\n<p><i><span style=\"font-weight: 400;\">Raw material<\/span><\/i><span style=\"font-weight: 400;\">, Curadur\u00eda Indian Gnocchini, Miradas de Buenos Aires Cycle, MAR Museum, Mar del Plata, Argentina.<\/span><\/p>\n<h3>2017<\/h3>\n<p><i><span style=\"font-weight: 400;\">Borges<\/span><\/i><span style=\"font-weight: 400;\">, Kirchner Cultural Center (CCK), Buenos Aires, Argentina.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">A Witness to History,<\/span><\/i><span style=\"font-weight: 400;\"> Curator Amin Gulgee, Karachi Biennale KB17, Karachi, Pakistan.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">OVNI Festival d\u2019art, Curator Diana Weschler, Nice, France.<\/span><\/p>\n<h3>2016<\/h3>\n<p><i><span style=\"font-weight: 400;\">Fictions of an infinite time<\/span><\/i><span style=\"font-weight: 400;\">, Recoleta Cultural Center, Buenos Aires, Argentina.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Open Doors<\/span><\/i><span style=\"font-weight: 400;\">, Eugenio de Almeida Foundation, \u00c9vora, Portugal.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Imaginaria Project Photography Festival, Castell\u00f3n, Spain.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Seeing with the ears, poetics of temporalities,<\/span><\/i><span style=\"font-weight: 400;\"> IX SIART Biennial, Curator Joaqu\u00edn S\u00e1nchez, Bolivia. Exhibition projects Zone of silence, Curator Adriana Almada.<\/span><\/p>\n<h3>2015<\/h3>\n<p><i><span style=\"font-weight: 400;\">Migrations in Contemporary Art,<\/span><\/i><span style=\"font-weight: 400;\"> Curated by Diana Weschler, MUNTREF Contemporary Art Center, Buenos Aires, Argentina.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">In the Landscape,<\/span><\/i><span style=\"font-weight: 400;\"> Curated by Diana Weschler, MUNTREF, Contemporary Art Center, Buenos Aires, Argentina.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Between the idea and the experience, <\/span><\/i><span style=\"font-weight: 400;\">Curator Toni Pi\u00f1era, Exhibition: The man and his universe of him, San Alejandro Academy, Havana, Cuba.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Luz do Mundo<\/span><\/i><span style=\"font-weight: 400;\">, XXII Curitiba International Biennial, Curator Teixeira Coelho, Curitiba, Brazil.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2nd Jerusalem Biennale for Contemporary Jewish Art, Jerusalem, Israel. Exhibition: <\/span><i><span style=\"font-weight: 400;\">It Has Always been The Book<\/span><\/i><span style=\"font-weight: 400;\">, Curated by Pelusa Borthwick, Van Leer Research Institute&#8217;s Polonsky Building, Jerusalem, Israel.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Grazing Light,<\/span><\/i><span style=\"font-weight: 400;\"> Curated by Jorge Villacorte, Luc\u00eda de la Puente Gallery, Lima, Peru.<\/span><\/p>\n<h3>2013<\/h3>\n<p><i><span style=\"font-weight: 400;\">Between return and departure (Limits and Updates in Contemporary Art)<\/span><\/i><span style=\"font-weight: 400;\">, Museum of Contemporary Art (MAC), Salta, Argentina.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Travel Companions<\/span><\/i><span style=\"font-weight: 400;\">, Al\u00f3n Foundation, Buenos Aires, Argentina.<\/span><\/p>\n<h3>2012<\/h3>\n<p><i><span style=\"font-weight: 400;\">Paraguay Rap\u00e9 (Paraguayan road<\/span><\/i><span style=\"font-weight: 400;\">), CAF &#8211; Development Bank of Latin America, La Paz, Bolivia.<\/span><\/p>\n<h3>2011<\/h3>\n<p><i><span style=\"font-weight: 400;\">Tour and visibility of an archive<\/span><\/i><span style=\"font-weight: 400;\">, Reina Sof\u00eda National Art Center Museum (MNCARS), Madrid, Spain.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Reality and Utopia,<\/span><\/i><span style=\"font-weight: 400;\"> National Museum of San Carlos, Mexico City, Mexico.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Candlelit Night,<\/span><\/i><span style=\"font-weight: 400;\"> in cooperation with the Paris Commune, Buenos Aires, Argentina.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">10 years,<\/span><\/i><span style=\"font-weight: 400;\"> Photo Gallery Faculty of Economic Sciences (F.C.E.), National University of C\u00f3rdoba, C\u00f3rdoba.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Current Argentine Art in the Collection of the Museum of Latin American Art of Buenos Aires,<\/span><\/i><span style=\"font-weight: 400;\"> Museum of Latin American Art of Buenos Aires (MALBA), Buenos Aires, Argentina.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Paraguay Rap\u00e9 (Paraguayan Way)<\/span><\/i><span style=\"font-weight: 400;\">, Curator Victoria Verlichak, Recoleta Cultural Center, Buenos Aires, Argentina; Clay Museum, Asuncion, Paraguay.<\/span><\/p>\n<h3>2010<\/h3>\n<p><i><span style=\"font-weight: 400;\">Reality and Utopia: Argentina&#8217;s Artistic Road to the Present,<\/span><\/i><span style=\"font-weight: 400;\"> Akademie der K\u00fcnste, Berlin, Germany.<\/span><\/p>\n<h3>2008<\/h3>\n<p><i><span style=\"font-weight: 400;\">636 (Six Rivers, Three Countries, Six Artists)<\/span><\/i><span style=\"font-weight: 400;\">, Museum of Contemporary Art (MAC), Santiago de Chile, Chile.<\/span><\/p>\n<h3>2006<\/h3>\n<p><i><span style=\"font-weight: 400;\">Illuminations<\/span><\/i><span style=\"font-weight: 400;\">, Curator Victoria Verlichak, Museum of Latin American Art of Buenos Aires, (MALBA), Buenos Aires, Argentina.<\/span><\/p>\n<h3>2005<\/h3>\n<p><i><span style=\"font-weight: 400;\">Paradox &amp; Coexistence II,<\/span><\/i><span style=\"font-weight: 400;\"> F\u00e9liz Angel Curator, Inter-American Development Bank Cultural Center, Washington, DC, United States.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">The subtle vertigo of the image,<\/span><\/i><span style=\"font-weight: 400;\"> Curator Claudia Laudano, Galleries of the Parque Espa\u00f1a Cultural Center, Rosario, Santa F\u00e9, Argentina.<\/span><\/p>\n<h3>2002<\/h3>\n<p><span style=\"font-weight: 400;\">The body of art, the art of the body, Curator Rosa Mar\u00eda Ravera, Recoleta Cultural Center, Buenos Aires, Argentina.<\/span><\/p>\n<h3>Art Fairs<\/h3>\n<h3>2020<\/h3>\n<p><span style=\"font-weight: 400;\">BAPhoto Live &#8211; Del Infinito Gallery [Online].<\/span><\/p>\n<h3>2017<\/h3>\n<p><span style=\"font-weight: 400;\">Solo Show &#8211; Del Infinito Gallery, Photo Lima, Peru.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Arts Libris: Artists\u2019 Book &#8211; Del Infinito Gallery, Arco, Madrid, Spain.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">ArteBA Focus &#8211; Del Infinito Gallery, Buenos Aires Argentina.<\/span><\/p>\n<h3>2016<\/h3>\n<p><span style=\"font-weight: 400;\">PARC &#8211; Arte x Arte Gallery, Lima, Peru.<\/span><\/p>\n<h3>2015<\/h3>\n<p><span style=\"font-weight: 400;\">Photo Lima &#8211; Del Infinito Gallery, Lima, Peru.<\/span><\/p>\n<h3>2014<\/h3>\n<p><span style=\"font-weight: 400;\">ArtLima &#8211; Del Infinito Gallery, Lima, Peru.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PARC &#8211; Del Infinito Gallery, Lima, Peru.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">ArtBo &#8211; Del Infinito Gallery, Bogot\u00e1, Colombia.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">ArteBA &#8211; Del Infinito Gallery, Buenos Aires Argentina.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">FoLA &#8211; Del Infinito Gallery, Buenos Aires Argentina.<\/span><\/p>\n<h3>2013<\/h3>\n<p><span style=\"font-weight: 400;\">ArteBA &#8211; Del Infinito Gallery, Buenos Aires Argentina.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">ArtContext &#8211; Del Infinito Gallery, Miami<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Selection<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-256","post","type-post","status-publish","format-standard","hentry","category-biography"],"_links":{"self":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/comments?post=256"}],"version-history":[{"count":14,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/256\/revisions"}],"predecessor-version":[{"id":6303,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/256\/revisions\/6303"}],"wp:attachment":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/media?parent=256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/categories?post=256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/tags?post=256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}