{"id":256,"date":"2014-02-17T10:20:46","date_gmt":"2014-02-17T10:20:46","guid":{"rendered":"http:\/\/matildemarin.com\/sitio\/?p=256"},"modified":"2026-09-30T22:09:03","modified_gmt":"2026-09-30T22:09:03","slug":"group-exhibitions","status":"publish","type":"post","link":"https:\/\/www.matildemarin.com\/en\/group-exhibitions\/","title":{"rendered":"Group Exhibitions"},"content":{"rendered":"<h3>2026<\/h3>\n<p><em>Dif\u00edcil decir adi\u00f3s<\/em>. Centro Cultural Borges, Buenos Aires, Argentina.<br \/>\n<em>Roots &#038; Branches beyond the Pacific<\/em>. Museo de arte contempor\u00e1neo de Chongqing, China.<br \/>\n<em>Yo, fr\u00e1gil<\/em>. Palacio Libertad, Buenos Aires, Argentina.<br \/>\n<em>Limiares<\/em>. 16\u00aa edici\u00f3n de la Bienal de Curitiba, Brazil.<br \/>\n<em>Est\u00edmulo vive<\/em>. Asociacion Est\u00edmulo de Bellas Artes, Buenos Aires, Argentina.<br \/>\n<em>Pangue<\/em>, Festival de video arte. New York Latin American Art Triennial, US.<br \/>\n<em>Pangue<\/em>, Festival de video arte. UN_FAIR 2026, Bogota, Colombia.<br \/>\n<em>Re.parar<\/em>. Palacio Libertad, Buenos Aires, Argentina.<\/p>\n<h3>2025<\/h3>\n<p><em>Secret Museum. From the Reserve to the Gallery<\/em>. National Museum of Fine Arts, Argentina<br \/>\n<em>Puente A\u00e9reo 4<\/em>. UCA Arts Pavilion, Buenos Aires, Argentina<br \/>\n<em>Pangue<\/em>, Video Art Festival. AAL Museum, Chile<br \/>\n<em>Alternate Currents. MARIN-PAKSA<\/em>. Galer\u00eda Del Infinito, Buenos Aires, Argentina<br \/>\n<em>A three-voice viewing. Video collections from the CAM Museum<\/em>, MAC Panama, and Bienalsur<\/p>\n<h3>2024<\/h3>\n<p><em>POSVERSO<\/em>, International Biennial of Experimental Poetry of Argentina, Jun\u00edn, Buenos Aires, Argentina<br \/>\n<em>WEAVING IDENTITIES. DIALOGUES, TRACES AND FUTURE<\/em>, Arte Al L\u00edmite Museum, Panquehue, Chile<br \/>\n<em>Contemporary Graphic Arts of Argentina<\/em>, IDB Art Gallery and Centro de Edici\u00f3n, Washington, United States<br \/>\n<em>\u00bfHow much does love weigh?<\/em> Curator Daniel Fischer, Recoleta Cultural Center. CABA, Argentina<br \/>\n<em>Artist book. Experiences and explorations<\/em>, Curator Jorge Padilla, Espacio Vilches, Art Faculty UC, Santiago, Chile<br \/>\n<em>Signs in the landscape<\/em>, Curator Diana Wechsler, BIENALSUR, Banco de Brasil Cultural Center, R\u00edo de Janeiro, Brasil<br \/>\n<em>Connecting art and politics through the eye of the collecto<\/em>r, Curators Ana Mar\u00eda Matthei, Elisa Massardo &amp; Marisa Caichiolo, La Neomudejar Museum, Madrid, Espa\u00f1a<\/p>\n<h3>2023<\/h3>\n<p><em>Indefinit<\/em>, Del Infinito Gallery, CABA, Argentina<br \/>\n<em>Signs in the landscape<\/em>, Curator Diana Wechsler, BIENALSUR, Banco de Brasil Cultural Center, San Pablo, Brasil.<br \/>\n<em>Signs in the landscape<\/em>, Curator Diana Wechsler, BIENALSUR, Banco de Brasil Cultural Center, Brasilia, Brasil.<br \/>\n<em>Gesture. A possible collection<\/em>, Curators Diana Wechsler &amp; Matilde Mar\u00edn, BIENALSUR, Visual Arts National Museum, Montevideo, Uruguay<br \/>\n<em>Brief History of Eternity<\/em>, Curator Daniel Fischer, Recoleta Cultural Center, CABA, Argentina<br \/>\n<em>Eye contact<\/em>, Usina del arte, CABA, Argentina<br \/>\n<em>Labyrinths in Corrientes<\/em>, Curator\u00a0 Julio Sanchez, Casa del Parque Camba Cu\u00e1, Corrientes, Argentina<\/p>\n<h3>2022<\/h3>\n<p><em>PRINTERS WOMEN. In the line of idea and image<\/em>, Argentine Deputies and National Academy of Fine Arts, CABA, Argentina<br \/>\n<em>Geumgang Nature Art Biennale 2022<\/em>. Video Exhibition. Rep\u00fablica de Corea.<\/p>\n<h3>2021<\/h3>\n<p><i>Art in Play, <\/i>Curated by Rodrigo Alonso, Proa Foundation, Buenos Aires, Argentina.<br \/>\n<i>Group Show 2021<\/i>, Galer\u00eda Del Infinito, Buenos Aires, Argentina.<br \/>\n<i>Transformation: The Graphic in Overflow<\/i>, Curated by Silvia Dolinko \u2013 Cristina Blanco, National Museum of Engraving, Buenos Aires, Argentina.<br \/>\n<i>Symbology of artistic practices on a planet in emergency<\/i>, Curator Valeria Gonz\u00e1lez, Kirchner Cultural Center, Buenos Aires, Argentina.<br \/>\nBiennial SUR, KM 646.3,<i> Landscape in focus, looks from the present, <\/i>Diana Wechsler Curatorship, Emilio Caraffa Museum, C\u00f3rdoba, Argentina.<br \/>\nBiennial SUR, KM 12843, <i>Echoes: A world between the analogical and the virtual<\/i>, Curatorship Diana Wechsler, Jax District, Riyadh, Saudi Arabia.<br \/>\nBiennale SUR, KM 12009, <i>Echoes. A world between the analogical and the virtual,<\/i> Curated by Diana Wechsler, Qasr Khuzam, Jeddah, Saudi Arabia.<\/p>\n<h3>2020<\/h3>\n<p><i>Of Confines and Confinements<\/i>, Curated by Katya Cazar, Cuenca Biennial, Cuenca, Ecuador [Online].<br \/>\n<i>Contemporary notes to an exhibition. Reflections on the exhibition In the Landscape,<\/i> Curated by Diana Weschler, Mir\u00e1 MUNTREF, Museum of the National University of Tres de Febrero, Buenos Aires, Argentina [Online].<\/p>\n<h3>2019<\/h3>\n<p><i>Artists and Travels<\/i>, Graciela Sarti Curator, Jorge Federico Klemm Foundation, Buenos Aires, Argentina.<br \/>\n<i>Art and Territory<\/i> &#8211; South Biennial, Curated by Diana Weschler, Fuegian Museum of Art (MFA) &#8211; Yaganes Cultural Center, R\u00edo Grande, Tierra del Fuego, Argentina; Museum of Contemporary Art of R\u00edo Grande, Ushuaia, Argentina; North American Peruvian Cultural Institute, Lima Peru.<br \/>\n<i>The Construction of the Possible<\/i> &#8211; XIII Havana Biennial, Margarita S\u00e1nchez Prieto Curatorship, Wilfredo Lam Center, Havana, Cuba.<br \/>\n<i>Southern Stars: An Exploration of Latin American Art<\/i>, Curated by Valentina Locatelli, Art Paris, Paris, France.<\/p>\n<h3>2018<\/h3>\n<p><i>Raw material<\/i>, Curadur\u00eda Indian Gnocchini, Miradas de Buenos Aires Cycle, MAR Museum, Mar del Plata, Argentina.<\/p>\n<h3>2017<\/h3>\n<p><i>Borges<\/i>, Kirchner Cultural Center (CCK), Buenos Aires, Argentina.<br \/>\n<i>A Witness to History,<\/i> Curator Amin Gulgee, Karachi Biennale KB17, Karachi, Pakistan.<br \/>\nOVNI Festival d\u2019art, Curator Diana Weschler, Nice, France.<\/p>\n<h3>2016<\/h3>\n<p><i>Fictions of an infinite time<\/i>, Recoleta Cultural Center, Buenos Aires, Argentina.<br \/>\n<i>Open Doors<\/i>, Eugenio de Almeida Foundation, \u00c9vora, Portugal.<br \/>\nImaginaria Project Photography Festival, Castell\u00f3n, Spain.<br \/>\n<i>Seeing with the ears, poetics of temporalities,<\/i> IX SIART Biennial, Curator Joaqu\u00edn S\u00e1nchez, Bolivia. Exhibition projects Zone of silence, Curator Adriana Almada.<\/p>\n<h3>2015<\/h3>\n<p><i>Migrations in Contemporary Art,<\/i> Curated by Diana Weschler, MUNTREF Contemporary Art Center, Buenos Aires, Argentina.<br \/>\n<i>In the Landscape,<\/i> Curated by Diana Weschler, MUNTREF, Contemporary Art Center, Buenos Aires, Argentina.<br \/>\n<i>Between the idea and the experience, <\/i>Curator Toni Pi\u00f1era, Exhibition: The man and his universe of him, San Alejandro Academy, Havana, Cuba.<br \/>\n<i>Luz do Mundo<\/i>, XXII Curitiba International Biennial, Curator Teixeira Coelho, Curitiba, Brazil.<br \/>\n2nd Jerusalem Biennale for Contemporary Jewish Art, Jerusalem, Israel. Exhibition: <i>It Has Always been The Book<\/i>, Curated by Pelusa Borthwick, Van Leer Research Institute&#8217;s Polonsky Building, Jerusalem, Israel.<br \/>\n<i>Grazing Light,<\/i> Curated by Jorge Villacorte, Luc\u00eda de la Puente Gallery, Lima, Peru.<\/p>\n<h3>2013<\/h3>\n<p><i>Between return and departure (Limits and Updates in Contemporary Art)<\/i>, Museum of Contemporary Art (MAC), Salta, Argentina.<br \/>\n<i>Travel Companions<\/i>, Al\u00f3n Foundation, Buenos Aires, Argentina.<\/p>\n<h3>2012<\/h3>\n<p><i>Paraguay Rap\u00e9 (Paraguayan road<\/i>), CAF &#8211; Development Bank of Latin America, La Paz, Bolivia.<\/p>\n<h3>2011<\/h3>\n<p><i>Tour and visibility of an archive<\/i>, Reina Sof\u00eda National Art Center Museum (MNCARS), Madrid, Spain.<br \/>\n<i>Reality and Utopia,<\/i> National Museum of San Carlos, Mexico City, Mexico.<br \/>\n<i>Candlelit Night,<\/i> in cooperation with the Paris Commune, Buenos Aires, Argentina.<br \/>\n<i>10 years,<\/i> Photo Gallery Faculty of Economic Sciences (F.C.E.), National University of C\u00f3rdoba, C\u00f3rdoba.<br \/>\n<i>Current Argentine Art in the Collection of the Museum of Latin American Art of Buenos Aires,<\/i> Museum of Latin American Art of Buenos Aires (MALBA), Buenos Aires, Argentina.<br \/>\n<i>Paraguay Rap\u00e9 (Paraguayan Way)<\/i>, Curator Victoria Verlichak, Recoleta Cultural Center, Buenos Aires, Argentina; Clay Museum, Asuncion, Paraguay.<\/p>\n<h3>2010<\/h3>\n<p><i>Reality and Utopia: Argentina&#8217;s Artistic Road to the Present,<\/i> Akademie der K\u00fcnste, Berlin, Germany.<\/p>\n<h3>2008<\/h3>\n<p><i>636 (Six Rivers, Three Countries, Six Artists)<\/i>, Museum of Contemporary Art (MAC), Santiago de Chile, Chile.<\/p>\n<h3>2006<\/h3>\n<p><i>Illuminations<\/i>, Curator Victoria Verlichak, Museum of Latin American Art of Buenos Aires, (MALBA), Buenos Aires, Argentina.<\/p>\n<h3>2005<\/h3>\n<p><i>Paradox &amp; Coexistence II,<\/i> F\u00e9liz Angel Curator, Inter-American Development Bank Cultural Center, Washington, DC, United States.<br \/>\n<i>The subtle vertigo of the image,<\/i> Curator Claudia Laudano, Galleries of the Parque Espa\u00f1a Cultural Center, Rosario, Santa F\u00e9, Argentina.<\/p>\n<h3>2002<\/h3>\n<p>The body of art, the art of the body, Curator Rosa Mar\u00eda Ravera, Recoleta Cultural Center, Buenos Aires, Argentina.<\/p>\n<h3>Art Fairs<\/h3>\n<h3>2020<\/h3>\n<p>BAPhoto Live &#8211; Del Infinito Gallery [Online].<\/p>\n<h3>2017<\/h3>\n<p>Solo Show &#8211; Del Infinito Gallery, Photo Lima, Peru.<br \/>\nArts Libris: Artists\u2019 Book &#8211; Del Infinito Gallery, Arco, Madrid, Spain.<br \/>\nArteBA Focus &#8211; Del Infinito Gallery, Buenos Aires Argentina.<\/p>\n<h3>2016<\/h3>\n<p>PARC &#8211; Arte x Arte Gallery, Lima, Peru.<\/p>\n<h3>2015<\/h3>\n<p>Photo Lima &#8211; Del Infinito Gallery, Lima, Peru.<\/p>\n<h3>2014<\/h3>\n<p>ArtLima &#8211; Del Infinito Gallery, Lima, Peru.<br \/>\nPARC &#8211; Del Infinito Gallery, Lima, Peru.<br \/>\nArtBo &#8211; Del Infinito Gallery, Bogot\u00e1, Colombia.<br \/>\nArteBA &#8211; Del Infinito Gallery, Buenos Aires Argentina.<br \/>\nFoLA &#8211; Del Infinito Gallery, Buenos Aires Argentina.<\/p>\n<h3>2013<\/h3>\n<p>ArteBA &#8211; Del Infinito Gallery, Buenos Aires Argentina.<br \/>\nArtContext &#8211; Del Infinito Gallery, Miami<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Selection<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-256","post","type-post","status-publish","format-standard","hentry","category-biography"],"_links":{"self":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/comments?post=256"}],"version-history":[{"count":16,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/256\/revisions"}],"predecessor-version":[{"id":6400,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/256\/revisions\/6400"}],"wp:attachment":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/media?parent=256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/categories?post=256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/tags?post=256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}