Closing conference at Jornadas Objeto Libro. National University of the Arts and Ampersand Publishing House, Buenos Aires, Argentina.
\nCuratorship Artist’s book. A possible collection. Lola Mora Museum of Fine Arts, Salta, Argentina.
\nJury Lumina, video art and video poem, El Nacional newspaper, Paraguay.
\nSeminar Art in dialogue, between creation and management. Santa Cruz Cultural Center, Argentina.<\/p>\n
Curator of Dobleces, la fragilidad del cuerpo, Paula Hacker, Pabell\u00f3n de Bellas Artes, UCA, Buenos Aires, Argentina.
\nSara Facio Award Jury, Banco Provincia, Buenos Aires, Argentina.
\nConference Noem\u00ed Gerstein: between matter and cosmos, a sculptural journey, Fondo Nacional de las Artes, Buenos Aires, Argentina.
\nConference Albino Fernandez and the invention of the Buenos Aires Print Club, National Museum of Engraving, Buenos Aires, Argentina.<\/p>\n
Curator of Nin\u00ed Bernardello: Drawing on the horizon, Museo Fueguino de Arte Nin\u00ed Bernardello, R\u00edo Grande, Tierra del Fuego.
\nAward Jury, Manuel Belgrano 67th Plastic Arts Salon, S\u00edvori Museum, Buenos Aires, Argentina.
\nAward Jury, Ledesma Visual Arts Award, Jujuy, Argentina.
\nCREAR COMUNIDAD, Donation Matilde Mar\u00edn and Nestor Goyanes, MUMBAT, Tandil, Argentina.
\nPharus Project at the II International Congress of Art + Science \u201cLas aguas\u201d, Universidad Nacional de San Mart\u00edn, Buenos Aires, Argentina.<\/p>\n
President National Academy of Fine Arts, (period 2022\/2024) Buenos Aires, Argentina.
\nJury Konex Award 2022 for Visual Arts, Konex Foundation, Buenos Aires, Argentina.<\/p>\n
Engraving and its medium, Conversation with the artist Matilde Mar\u00edn, Fundaci\u00f3n Forner – Bigatti, Buenos Aires, Argentina [Virtual Meeting] (June 18, 2021)
\nOn engraving and its derivations, Conversation with the visual artist Matilde Mar\u00edn, National University of Cuyo – FAD, Mendoza, Argentina [Virtual Meeting] (May 21, 2021)
\nAward Jury, National Hall of Visual Arts 2020\/2021, Buenos Aires, Argentina
\nAward Jury, Photography and Video Contest, Bunge y Born Foundation, Buenos Aires, Argentina
\nMATERIOTECA, Online discussion table, Moderator Agustina Rodr\u00edguez Romero, II International Meeting of Interdisciplinary Studies on modern and contemporary artistic materiality, Research Center on Art, Matter and Culture, IIAC-UNTREF, Buenos Aires, Argentina [Virtual Meeting] (10 and September 11, 2020)<\/p>\n
Cycle of Videos and Reflections, Contemporary Apostilles to an Exhibition (Reflections on the exhibition In the Landscape, Curated by Diana Weschler), Mir\u00e1 MUNTREF, Museum of the National University of Tres de Febrero, Buenos Aires, Argentina (April 28 – 30, 2020)
\nFellow <\/i>of Institut d\u2019Etudes Avanc\u00e9es, Nantes, France<\/p>\n2019<\/h3>\n
Vice President of the National Academy of Fine Arts and President of the Federico Jorge Klemm Foundation in Buenos Aires, Argentina<\/p>\n
The ideal map: The traveling artists<\/i>, Conference with Matilde Mar\u00edn, Museo Mar, Mar del Plata, Buenos Aires, Argentina (November 2, 2018)
\nBig Projects \/ Intimate Projects<\/i>, Visual Arts Curatorship Seminar, Speaker Matilde Mar\u00edn, SAULA, Sala Futura, R\u00edo Gallegos, Argentina (September 26 and 29, 2018)
\nArtist Books: The invention of a genre<\/i>, meeting with Matilde Mar\u00edn, Museo Fueguino de Arte (MFA), Tierra del Fuego, Argentina (September 6, 2018)
\nVisual Itineraries,<\/i> meeting with Matilde Mar\u00edn, within the framework of the Archaeologist of Herself <\/i>exhibition, OSDE Foundation, Tandil, Buenos Aires, Argentina (August 31, 2018)
\nSeminar on Art and Nature by Matilde Mar\u00edn, within the framework of the Patagonia Sur Sur<\/i> Photography Festival, Museo Mar\u00edtimo Art Gallery, Tierra del Fuego, Argentina (August 4, 5, 6 and 7, 2018)
\nCo-curator with Pilar Altilio of the Patagonia Sur Sur Photography Festival, Museo Mar\u00edtimo Art Gallery, Tierra del Fuego, Argentina (August 3-7, 2018)<\/p>\n2017<\/h3>\n
Conference with Matilde Mar\u00edn, in the framework of the presentation of the photographic project When I sight the blue smoke of Ithaca<\/i>, Lima Photo, Lima, Peru (September 15, 2017)
\nPresentation of the catalog of the Archaeologist of herself <\/i>exhibition, within the framework of the Archaeologist of herself exhibition OSDE Foundation, Buenos Aires, Argentina (July 21, 2017)
\nAward Jury, Alberto J. Trabucco Prize for Sculpture, National Academy of Fine Arts, Buenos Aires, Argentina<\/p>\n2016<\/h3>\n
Art and Nature III<\/i>, Projects in Salinas Grandes, Project management by Matilde Mar\u00edn, Museum of Contemporary Art – MAC, Salta, Argentina (November 4 and 5, 2016)
\nArtists + Critics: Mar\u00eda Teresa Constantin and Matilde Mar\u00edn, Fundaci\u00f3n PROA, Buenos Aires Argentina (October 1, 2016)
\nWork Clinic: In production, by Matilde Mar\u00edn, within the framework of the 4th Contemporary Graphic Conference, Provincial University of C\u00f3rdoba, C\u00f3rdoba, Argentina (May 5 and 6, 2016)<\/p>\n2015<\/h3>\n
Co-curator with Beatr\u00edz Moreiro of the collective exhibition The Great Shadow II: Artists from Corrientes, Chaco and Formosa, <\/i>Institute of Culture of Corrientes, Corrientes, Argentina
\nParticipation in the Conference of the National Meeting of Engraving, MAR Museum, Mar del Plata, Buenos Aires, Argentina<\/p>\n2014<\/h3>\n
Art and Nature II<\/i>, Projects in Cerro Grande, Project management by Matilde Mar\u00edn Museum of Contemporary Art – MAC, Salta, Argentina (April 10 and 11, 2015)
\nConversation on The Artist’s Book: Matilde Mar\u00edn<\/i> together with Juan Canavesi, within the framework of the 3rd Conference on Contemporary Graphics 2014, Provincial University of C\u00f3rdoba, Argentina (May 7, 2016)<\/p>\n2012<\/h3>\n
Professor of the Art and Nature III<\/i> Seminar, Finis Terrae Art University of Santiago de Chile, Chile<\/p>\n2011<\/h3>\n
Professor of the Art and Nature<\/i> Seminar, Finis Terrae Art University of Santiago de Chile, Chile<\/p>\n2008 – present<\/h3>\n
Academic of Number, National Academy of Fine Arts, Buenos Aires, Argentina<\/p>\n
Artist’s Book Seminar, Catholic University of Santiago de Chile, Chile (November 13 and 17, 2006)<\/p>\n
Professor of the Variable Edition<\/i> Seminar, (Together with Teresa Gazit\u00faa), Finis Terrae Art University of Santiago de Chile, Chile<\/p>\n2002<\/h3>\n
Professor of the Artist’s Book<\/i> Seminar, (Together with Teresa Gazit\u00faa), Finis Terrae Art University of Santiago de Chile, Chile<\/p>\n2000<\/h3>\n
Coordination of the traveling exhibition Beliefs and Behaviors<\/i>. Latin American Art Program at New York University, New York, United States
\nProfessor of the Seminar The Engraved Object,<\/i> (Together with Teresa Gazit\u00faa), University of Art Finis Terrae of Santiago de Chile, Chile<\/p>\n1999<\/h3>\n
Co-curator of the Latin American collective exhibition of Artist’s Books<\/i>, Fundaci\u00f3n Telef\u00f3nica de Santiago de Chile, Chile
\nOrganization of the encounter The Question of Contemporary Graphics <\/i>– Rupture of Limits. Aimed at printmakers and art teachers, Buenos Aires, Argentina<\/p>\n1998<\/h3>\n
Organization of the exhibition Artist’s Books: A new genre,<\/i> Museum of Fine Arts Juan B. Castagnino, Rosario, Santa Fe, Argentina (September 4 – 30, 1998)
\nOrganization of the Artist’s Books <\/i>exhibition, National University of Art of Tucum\u00e1n, Engraving Workshop, Tucum\u00e1n, Argentina (September 11, 1998)
\nOrganization in Buenos Aires of the first seminars on non-toxic and experimental techniques for updating engraving. Contemporary Graphic Workshop, Buenos Aires, Argentina<\/p>\n1997<\/h3>\n
Professor of the Contemporary Engraving Techniques<\/i> Seminar, Finis Terrae Art University of Santiago de Chile, Chile
\nIncorporation of images of her work in the study books used in printmaking courses at Musashino Art University, University of Tokyo, Tokyo, Japan
\nOrganization of the Paper Mills exhibition at the Museum of Modern Art in Mendoza, Argentina
\nParticipation in the Conference of the III Latin American Meeting of Visual Arts, Porto Alegre, Porto Alegre, Brazil
\nLecture on the characteristics of the Tamarindo <\/i>Workshop in New Mexico, USA and the Nostra Am\u00e9rica international engraving exhibition (<\/i>events held during 1995 at the Museum of Engraving, Curitiba Cultural Foundation, Brazil), Caraffa Museum, C\u00f3rdoba, Argentina (June 6 from 1996)<\/p>\n1995<\/h3>\n
Professor of the O Livro do Artista<\/i> Seminar in the framework of the IX Porto Alegre City Art Festival, Porto Alegre, Brazil (July 03 – 14, 1995)<\/p>\n1994<\/h3>\n
She teaches seminars for postgraduate and doctoral degrees at the University of Porto Alegre, Brazil; Art Schools of Puerto Rico; Quito, Ecuador and Curitiba, Brazil
\nShe creates Gr\u00e1fica Contempor\u00e1nea, a center dedicated to contemporary graphics<\/p>\n
Professor of the subject Techniques<\/i> in the Faculty of Philosophy and Letters of the University of Buenos Aires in the History of Art chair, Buenos Aires, Argentina
\nJury for teacher competitions and award jury in the National and private Halls in Argentina.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-5748","post","type-post","status-publish","format-standard","hentry","category-biography"],"_links":{"self":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/5748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/comments?post=5748"}],"version-history":[{"count":6,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/5748\/revisions"}],"predecessor-version":[{"id":6405,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/posts\/5748\/revisions\/6405"}],"wp:attachment":[{"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/media?parent=5748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/categories?post=5748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.matildemarin.com\/en\/wp-json\/wp\/v2\/tags?post=5748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}