2021
«Transformation”. La Gráfica en Overflow», Silvia Dolinko and Cristina Blanco. Edition National Museum of Engraving, Ministry of Culture Argentina.
«Ecos: A world between the analogical and the virtual». Biennale Sur 2021, Diana Wechsler, Saudi Ministry of Culture Edition.
«Symbiology: Artistic Practices on a Planet in Emergency», Valeria Gonzalez, Kirchner Cultural Center Edition, Argentine Ministry of Culture.
“Contemporary Graphic Arts of Argentina», Edition IDB Staff Association Art Gallery Washington, USA, in collaboration with the Edition Center, Buenos Aires, Argentina.
“Poetic look at a historical moment” Laura Casanovas, Ñ Magazine, January 2021, Buenos Aires, Argentina.
“Suspended Time” A Visual Poem in Sixteen Photos, Daniel Gigena, La Nación, Buenos Aires, Argentina.
2020
«Argentine memories: Art against oblivion, Latin America Art and Combat», Maria Teresa Constantin, Art Press number 53, March 202, Paris, France.
«Matilde Marín: Suspended Time», texts Adriana Almada and Matilde Marín, Manuela Lopez Anaya Editions, Buenos Aires, Argentina.
«Matilde Marín: Difficile de parler d’utopies«, Covid-19 Tour du Monde, various authors, Editions Manucius, Institut d’Etudes Avancées de Nantes, Nantes, France.
«Of borders and confinements», Katya Cazar, Cuenca Biennial Edition, Municipal Foundation, Cuenca, Ecuador.
2019
«Art in social networks», Matilde Marín, National Academy of Social and Political Arts Edition, Buenos Aires, Argentina.
2017
«Archaeologist of herself», Adriana Almada and Guillermo Saavedra, OSDE Foundation Art Space Publishers, Buenos Aires, Argentina.
2016
«Art and Nature», Matilde Marín, Temas Magazine, National Academy of Fine Arts Edition, Buenos Aires, Argentina.
«Contemporary Art», Sylvia Ready and Barbara Becker, Editorial Contrapunto, Santiago de Chile.
«The imaginary journey of Kasimir Malevich», Matilde Marín and José Emilio Burucua, Kontemporánea Edition art project, Buenos Aires, Argentina.
«What is in front of me, micro-stories of urban recuperators», Various Authors, Cultural Patronage, Buenos Aires, Argentina.
«Migrations in Contemporary Art», Diana B. Weschler, Eduntref, Buenos Aires, Argentina.
«Contemporary Art», Silvia Ready and Bárbara Becker, Editorial Contrapunto, Santiago de Chile.
«General history of art in Argentina, Photography in Argentina», Aldo Sessa, Rodrigo Alonso, Editions National Academy of Fine Arts, Buenos Aires, Argentina.
«100 years of Argentine art», María José Herrera, Editorial Biblos / OSDE, Buenos Aires, Argentina.
2014
«General history of art in Argentina, Engraving 1965/2000», Jorge Taberna Irigoyen, Editions National Academy of Fine Arts, Buenos Aires, Argentina.
2013
«Meeting of looks, contemporary Argentine photographers», Author’s image and word, La Azotea publishers Buenos Aires, Argentina.
2012
«When I sight the blue smoke of Ithaca», Matilde Marín, José Emilio Burucúa and Marta Lambertini, Kontemporánea Edition art project, Buenos Aires, Argentina.
“Pharus Project”, Carolina Lara, Artnexus International, No. 87, vol. 11, Bogota, Colombia
«Current migrations in Argentina», Photographs Matilde Marín, Compiler Norberto L. Griffa, Eduntref, Buenos Aires, Argentina.
2011
«Current Migrations in Argentina», Eduntref, Buenos Aires, Argentina.
«Current Argentine Art in the MALBA Collection, works 1989 / 2010», Marcelo Pacheco, Eduardo F. Costantini Edition, Buenos Aires, Argentina.
«Matilde Marín: Pharus Project», Patricia Ready Gallery, Santiago de Chile.
2010
«Matilde Marín Paradisus», text by Adriana Lauría, Patricia Ready Ediciones ARTE + Corporación, Santiago de Chile.
2009
«Contemporary Records», Ana Martinez Quijano, Editorial ASEA, Buenos Aires, Argentina.
2008
“Doesn’t Know / Doesn’t Answer, Contemporary Photographic Practices in Latin America”, Rodrigo Alonso, Ediciones ArteXArte,Buenos Aires, Argentina. Photographs and Videos, Matilde Marín, Recoleta Cultural Center Edition, Buenos Aires, Argentina.
“De Natura altered zone”, Recoleta Cultural Center Edition, Buenos Aires, Argentina.
2007
«Metaphor in Art», Elena Oliveras, Emecé Arte, Buenos Aires, Argentina.
«Pampa, city and suburb», Laura Malosetti Costa, OSDE Foundation Edition, Buenos Aires, Argentina.
2006
«Personal Worlds», Ulises Carrion, Editorial Turner.
«Matilde Marin. Displacements”, Victoria Verlichak and Manuel Neves, Editorial Fundación Alon, Buenos Aires, Argentina.
«Homage to Borges», Contemporary Graphic Edition, Buenos Aires, Argentina.
2005
«Matilde Marín – Contemporary Bricolage», Adriana Lauría, Justo Pastor Mellado, Teresa Macri, edition of the artist, Buenos Aires. «Argentina Estética. The Question of Art», Elena Oliveras, Editorial Planeta, Buenos Aires, Argentina.
«Argentine Art. Four Centuries of History (1600-2000)”, Jorge López Anaya, Editorial Emecé, Buenos Aires., Argentina.
«Never More, Canadian Journal of Latin American and Caribbean Studies», CJRCELACS, vol. 30, no. 59, Canada.
“In the Palm of the Hand (artists of the ’80s)” Victoria Verlichak, Fundación Alon Collection Edition, Buenos Aires, Argentina.
2004
«Contemporary Argentine Art». MACRO, AAVV, Rosario, Santa Fe, Argentina.
«River / Land / Mountain / Sea / an itinerary», Santiago de Chile Edition.
2003
«Matilde Marín. The path of the image», Adriana Lauría, Matilde Marín, Buenos Aires, Argentina.
«The road to the image», Matilde Marín, Jorge López Anaya, Mercedes Casanegra, Adriana Lauría, Teresa Macri, International Biennial Edition of Cuenca, Ecuador.
Documentarte 2, Notebooks of the International Biennial of Cuenca 2003, Cuenca, Ecuador.
«The city of temptations: Buenos Aires in: Temptation». City, Art and Technology, Fall/Winter 2002-2003, Irma Arestizábal, Madrid Edition, Spain.
«Matilde Marín: Fragments, Myths and Traces»in: Rites of the End of the Century, Jorge López Anaya, EMECÉ, Buenos Aires, Argentina.
«Frágiles», Fernando Castro, Nuria Fernández, Fernando Martín Galán, Municipal Foundation for Culture, Education and Popular University of the Municipality of Gijón.
2002
“Scenarios”, Matilde Marín, Jorge López Anaya, Victoria Verlichak, Irma Arestizábal, Teresa Macri, Recoleta Cultural Center, Buenos Aires, Argentina.
«Latin American Contemporary Photography», Antonio Arévalo, Catalog of the FotoGrafía exhibition, Bruno Mondadori, Rome, Italy.
“Globalization, identities, nomadism” in: Documentarte 1, globalization and cultural identity. Notebooks of the Cuenca Biennial, Irma Arestizábal, International Painting Biennial, Cuenca, Ecuador.
«Matilde Marín (Images). Study Book on Printmaking, Musashino University Edition, Tokyo, Japan.
The Body of Art/ The Art of the Body, Rosa María Ravera, Recoleta Cultural Center, Buenos Aires, Argentina.
2001
«Art of Latin America 1981-2000», Germán Rubiano Caballero, IDB Edition, Washington, USA.
«Konex Foundation Catalog 1980 / 2000», Diplomas of Merit / Platinum Konex for Visual Arts 1992, Buenos Aires, Argentina.
«A violated page. Gives tenderness to injury in the construction of the artist ‘s book”, Paulo Silveira, Editora da Universidade Porto Alegre, Brazil.
«Plurality of slopes in Argentine art» in: Banco Ciudad Foundation Awards at the National Museum of Fine Arts, Jorge Glusberg, National Museum of Fine Arts, Buenos Aires, Argentina.
“Harmonize/Reveal”, Ung Vaimeng, Macau Museum of Art, Macau.
«Irma Arestizabal, Globalization, Nomadism, Identities», VII International Biennial of Cuenca, Ecuador.
“I don’t know what about painting and art in general” (on texts by Luís Seoane) Raiña Lupa Ediciones in the L’Imprimerie Nationale workshops in Paris, France.
2000
“Bridge to the Future”, Witold Skulicz, International Print Triennial Society in Krakow, Ed. Drukarnia Skleniarz, Poland.
«The Macau International Exhibition of Prints», Ung Vai Meng, Ed. Macau Museum of Art, Macau.
«Video creation in Argentina» in: Siglo XX Argentino, Arte y Cultura, Graciela Taquini, Edition of the Recoleta Cultural Center, Buenos Aires, Argentina.
«The metamorphosis of the hand, contemporary artists from Ibero-America», Irma Arestizábal, Centro Cultural Parque España, Rosario, Argentina.
«Matilde Marín, Game of Hands», Milan Ivelic, National Museum of Fine Arts, Santiago de Chile.
“The feminine: role and gender” in: Aesthetic Research, Jorge Taverna Irigoyen, Sumarium No. 3, Buenos Aires, Argentina.
“Fra possessed til Skulptur”, Helge Skodvin, Bergens Tidende Kultur, Norway.
“Argentine Cultural Identity – It’s Graphic Evolution” in: 2000 Proceedings for Y2K International Symposium of Prints, Patricia Susana Cohen de Cymbalist, National Taiwan Arts Education Institute.
“Sculpture without borders” in: Pencil Argentina/Revista InterNacional de Arte, Elena Oliveras, Year XIX, No 158-159, December 99 / January 00, Spain.
«Games of Hands», Alfredo Torres, Museum of Fine Arts, Santiago de Chile.
1999
«The Rocket Four, Making Artists Books Today», Gunnar Kaldewey, Stuttgart, Germany.
«Art of the 80’s / May and Oscar Martinsen Collection», Irma Arestizábal, Buenos Aires, Argentina preface to the collection catalogue.
«Jorge Glusberg, Current Graphics / 12», National Museum of Fine Arts, Buenos Aires, Argentina.
Pleasure and Challenge. International Biennial of Graphic Arts”, Victoria Verlichak, Ljubljana, Slovenia.
“Of the game of hands, of other games” in: Game of hands, Alfredo Torres, catalogue, Torres García Museum, Montevideo, Uruguay.
1998
«Matilde Marín, Contemporary Book-Art», 43rd International Book Fair, Warsaw, Poland.
“Experimental: Rubli and Marín” in: History of Argentine Art, Jorge López Anaya, Emecé Editores, Buenos Aires, Argentina.
«Another Graphic», María José Herrera, Andreani Foundation, Buenos Aires, Argentina.
«Images of Argentina, Analogies», Irma Arestizábal, Santillana Foundation Edition, Madrid, Spain.
1997
“Making Artists Books Today”, Wulf Von Lucius, Gunnar Kaldewey, Lucius & Lucius, Germany.
“Matilde Marín, interview” in: Revista Mora, Section interdisciplinary areas of women’s studies. Faculty of Philosophy and Letters. Buenos Aires, Argentina.
«Matilde Marín» in: Thirty years of Argentine art (A partial vision), Fermín Fevre, Publications of the National Library of Buenos Aires, Argentina.
«The Promised Land», Irma Arestizábal, Borges Cultural Center, Buenos Aires, Argentina.
«Recurrences. Argentine art of the generation of the ’80s”, Irma Arestizábal, Prologue for the exhibition catalogue, Museum of Contemporary Art, Sofía Imber, Caracas, Venezuela.
«A proposal for reflection», Alberto Collazo, Museum of Contemporary Art, São Paulo, Brazil.
«Blind. The art of seeing”, Gloria Bosch, Susanna Portell, Museu d’Art Girona, Spain.
«Cassandra», Magazine of Contemporary Culture, No. 4. p. 3 and 5, Editorial Vinciguerra.
«Labyrinths», Contemporary Graphic Edition, Buenos Aires, Argentina.
1996
“Incisions & Fragments”. Matilde Marín, Jorge López Anaya, Editions Fernando Arce, Chile.
«Contemporary Argentine Engraving», Osvaldo Svanascini, Editions of the Congress, Buenos Aires, Argentina.
«Matilde Marín, test and rehearsal» in: In The Palm of the Hand, Victoria Verlichak, Buenos Aires, Argentina.
“From sea to sea”, Guillermo Whitelow, Las Condes Cultural Center, Santiago de Chile.
«Five Argentine Artists in Tokyo», Nelly Perazzo, Striped House Museum of Art, Tokyo.
1995
“Out of the Center?”, Irma Arestizábal, Museum of Fine Arts, Caracas, Venezuela.
“Engraving in Argentina” in: Critical History of Argentine Art, Aldo Galli, Telecom Edition and Argentine Association of Art Critics, Buenos Aires, Argentina.
«Matilde Marín, O papel como um meio», Fermín Fevre, Museu da Gravura, Fundação Cultural de Curitiba, Brazil.
«InterNacional de Gráfica», Ernesto Muñoz, Museum of Contemporary Art, Santiago de Chile, Chile.
«Mostra América», Argentina from Buenos Aires, Aline Tortosa, Fundação Cultural de Curitiba, Brazil.
«1/1 Variable Edition», Victoria Verlichak, Filo Espacio de Arte, Buenos Aires, Argentina.
«The engraving in Argentina», Guillermo Whitelow, Municipal Museum of Arts, Gyor, Hungary.
«Graphics International», Museum of Contemporary Art, Ernesto Muñoz, Santiago de Chile, Chile.
“Matilde Marín, “Paper as a medium”, Nelly Perazzo, Museum of Modern Art, Mendoza, Argentina.
1994
«Air Bridge 1», Nelly Perrazo, Museum of Contemporary Art, Santiago de Chile, Chile.
1993
«Matilde Marín, Paper as a medium», Fermín Fevre, National Endowment for the Arts, Buenos Aires, Argentina.
“Paper as a medium” in: Notes on handmade paper, Ricardo Crivelli, Buenos Aires, Argentina.
«Myths of Creation», with a prologue by Nelly Perazzo, Arte Dos Gráfico Edition, Bogotá, Colombia.
1992
«Paintings from Argentina», Nigel Cameron, The Rotunda Exchange Square, Hong Kong.
1991
«Contemporary Argentine Art», Marcelo Pacheco, Antorchas Foundation, National Museum of Fine Arts, Buenos Aires, Argentina.
«Ibero-American Artists», General Catalog (1900-1990), Editorial Arabel, Madrid, Spain.
1990
«Artists of Buenos Aires», Jorge Glusberg, Museum of Modern Art, DF, Mexico.
«Matilde Marín, recent graphics», Nelly Perrazo, Banco Patricios Foundation, Buenos Aires, Argentina.
«Ideas and Images from Argentina», Philip Verre, The Bronx Museum of the Arts. New York, USA.